CRITICAL - We thought he was a columnist with a leaning towards street journalist, an early host with an uninterrupted flow of words, Fary's protégé (who staged the show) made himself an upper stand.
At the beginning of September, he resumed the performances of his show prevented by the Covid.
To discover
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The show begins with the story of a failed kiss, a budding romance with a taste of unfinished business. The perfect girl, the right words, the right joke, but at the time of the long-awaited mouthful, nothing. Whose fault is it ? The intrusive forty-year-old roommate and unsolicited dating advice? To a large family led by a taciturn father, in an extreme economy of words and a mother with overflowing emotions? Or the accordion that, as a child, he was forced to play, when he admired his prepubescent friends hanging on their guitar and which seems to have deeply affected his self-confidence?
Like a life, the story is sometimes dramatically funny and often surprisingly earthy.
A few gritty jokes, not the best felt but which seem to have success with his audience, punctuate anecdotes from his life as a lost young adult.
For those most impatient to discover the words of the comedian, the front of the theater is dressed in a fresco made by the street artist Atlas.
A labyrinthine typography takes up the entire text of the show.
Almost no wrong notes for this delightfully introspective exercise.
Panayotis Pascot in “Presque”, at L'Européen (Paris 17th), until December 31st. Phone. : 01 44 51 93 26 www.leuropeen.paris
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