Damascus-SANA
Fine artist Ramia Hamed is currently engaged in what she calls her second experience, which is still in its infancy and has not yet been completed in terms of research and experimentation to work through it to develop her artistic career.
Ramia seeks to leave her own artistic imprint in the Syrian plastic movement by presenting a painting that bears unique features from an aesthetic point of view and adopts the female as a fixed subject with all its connotations with its specificity in terms of technique and style.
The young artist, whose first solo exhibition was delayed due to the Corona pandemic, participates in group exhibitions of the Ministry of Culture or the Union of Fine Artists, describing her relationship with her paintings with prayer that reflects her spirit and thought.
The artist paints Ramya to satisfy herself in the first place. The drawing refers her to a world far from reality, with the passion and imagination it contains, which she creates with her own hands, indicating that she paints the woman who resembles her and is present in her imagination, this beautiful, dreamy and lover.
Ramya, who is devoted to artwork, started from the post-realism stage, which contains a realistic element with a movement that mimics imagination, with each painting including a special story that is not devoid of drama.
This experience, according to its owner, brought about a new leap for her on the technical level through the faces with their different human states that she expresses in color, and she has completed works of which she will present in her first solo exhibition that will be held in Damascus early next year.
On the extent to which she has benefited from social media to spread her artistic experience and communicate her work to the public, Ramya explains that these means, which have become a feature of our current era, and despite their many negatives, have a positive face. And fast for anyone who owns a creative product.
The artist Ramia loves the impressionist school, despite her lack of work, and she is drawn to her by the colors of the spectrum used by the impressionists. or pink.
Regarding her view as an artist of the current Syrian plastic movement, Ramya considers that the war and difficult circumstances have led to a state of chaos, pointing to the importance of involving young people in shaping the future of plastic art, providing them with opportunities and taking their experiences into account.
Mohamed Samir Tahan
