They have made a studio like others do a living room.
Struggling to obtain a room with a large mirror in which to train their dancers.
For Carolyn Carlson, Bintou Dembélé, Isadora Duncan, Mié Coquempot, Nijinska, Rocio Molina or Régine Chopinot, it was more or less easy.
Girls seem born to be dancers.
To establish oneself as a choreographer remains another matter.
Brigitte Lefèvre knows it, she who started at the Paris Opera Ballet School before writing plays and then directing the company at the Opera for twenty years.
She wanted to dedicate her fourth and last edition of the Cannes Dance Festival to women choreographers - Didier Deschamps, boss of Chaillot, will succeed her in 2023.
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Silence, the dance turns in Cannes
For the American Martha Graham, in the early 1930s, dancers were exclusively dancers.
His company, which has survived him for twenty years and will celebrate its 100th anniversary in 2026, opened the festival.
On the poster, a Graham dancer, stretched towards the sky, but fists
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