La Casa de Papel: the final rout of the robbers on Netflix

Few of the series, particularly successful ones, have an ending that meets viewers' expectations.

We must indeed remember the haros shouted by entire communities of fans on the outcome of

,

,

or even

.

The last chapters of

, namely the second part of the fifth and final volume of the series by the Spanish Alex Pina, in no way contradict this near-curse.

They even go further on the side of the rough, the scriptwriting poverty, the stupid succession of action scenes and dialogue scenes, the introduction of characters point blank and, worse still, an abysmal boredom. .

So much so that the question arises of the total if not partial disinterest of the author (s) for their program, Netflix's first global success in a language other than English.

Was the series the victim of this success, precisely?

Should she have, reasonably, stopped ten episodes more

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