The New York of art has this vitality to be reborn with each injury.
After September 11, 2001, the subprime crisis of the summer of 2007, the “crash of autumn 2008” sowed panic.
Like a judoka who hasn't touched the rug with his shoulders, Manhattan resisted and reinvented himself, signaling to the international art market that its artists, museums, gallery owners were there and always worth the trip.
The Covid pandemic has cruelly hit the city and scares its most prominent merchants to the Hamptons, Maine or Saint-Barth.
Today, like the King of New York, Larry Gagosian, it's back to the island, cautious, thoughtful, but decided.
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And the geography of art took the opportunity to change.
Where the small world of contemporary art roamed, every Saturday morning before brunch and Eggs Benedict, the small streets of Chelsea, from 19th Street to 26th Street, the life of the galleries has resumed.
The most ardent collectors, the most fortunate and the most ...
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