Despite their age, these albums have not aged a bit.
David Bowie and his
Ziggy Stardust
, the Rolling Stones
'
Exile on Main St. on the Côte d'Azur or Lou Reed and his
Transformer
: these records, instant classics, celebrate their half-century in 2022, a year placed under the sign rock.
Read alsoThese years when David Bowie reinvented himself
Exile on Main St.
, jewel of the Stones cut on the Côte d'Azur
“
Perhaps the Stones
' best record,” says Keith Richards in his autobiography
Life
. The Stones, who fled the British tax authorities, designed it on the Côte d'Azur, in the villa Nellcote, which had become famous. “
I am one of the people who got in there, not with the band of dealers (laughs), I am from the region, I was a kid
”, tells
AFP
Yves Bigot, a figure of rock criticism. "
In the morning, not everyone was awake (laughs), we could sneak in with the delivery men (of food), I stayed in a corner, the time to check that they were indeed extraterrestrials (laughs)
".
Exile on Main St.
, which does not contain a stadium anthem, although
Tumbling Dice
meets with success, is a declaration of love to American music, from gospel to blues.
Read alsoRock: these legendary groups that defy time
Honky Château
, Elton John and the ghosts of Hérouville
Also in France, the castle of the small town of Hérouville, 50 kilometers from Paris, houses a recording studio frequented in the 1970s by David Bowie, Iggy Pop and Elton John.
The latter named
Honky Château
in homage to Hérouville, which is said to be haunted.
"
Elton John is in his imperial period, with incredible songs, Honky cat, Rocket man
(title of the biopic dedicated to him)
or Mona Lisas and mad hatters
", unfolds Yves Bigot.
“
In the 1970s, Elton John was in
control ,” adds the man who has just released the novel
Katrijn
.
This album lays “
the foundations of 70s soft-rock
” for the British musical bible
NME
.
Read alsoIggy Pop-David Bowie: fire and ice
The rise and fall of Ziggy Stardust and the Spiders from Mars
, David Bowie and his double
“
Sexuality has always been underlying rock. But suddenly with Ziggy, she found herself articulated, in motion
,” depicts David Bowie in
Rainbowman
, a reference work by Jérôme Soligny. “
With this disc, Bowie invents the character of Ziggy which makes him a rockstar, the prince of glam,
develops Yves Bigot
. With, also, this totally futuristic, visionary, apocalyptic aspect that he will continue with Diamond dogs (1974)
”. The essentials are there,
Five years
,
Starman
,
Suffragette city
or
Rock'n'roll suicide
. "
It says how many classic albums were born in this period, without a note to change
“, underlines the journalist.
Read alsoDavid Bowie, the death of a pop legend
Transformer
, Lou Reed and the after Velvet
"
It's the album that introduces Lou Reed to all those who did not know (his group) the Velvet Underground, that is to say the vast majority of people
", explains Yves Bigot.
With the standards
Walk on the wild side
,
Satellite of love
or
Perfect day
, which will have a second youth with the film
Trainspotting
.
And who do we find at the production of
Transformer
?
David Bowie, from whom Lou Reed has always wanted to dissociate himself.
"
Unlike Bowie (not) need to create an alter ego for me, I was already double, triple, quadruple
," he says in
Rainbowman
.
Read alsoLou Reed and John Cale, the enemy brothers of the Velvet Underground
Harvest
, Neil Young's nugget after the gold rush
Some Neil Young fans prefer
After the gold rush
("
After the gold rush
", 1970), but it is with
Harvest
that the "
Loner
" finds the right vein. The titles
Heart of gold
and
Old man
go down in history and the album is at the top of the American charts. “
It's his best-produced, most polished album
,” Yves Bigot dissects. Which does not exclude a dark and prophetic part. Like
The needle and the damage done
, short title “
like the life of the junkies it describes
” synthesizes the musical site Pitchfork. The drug will kill shortly after two relatives of Neil Young, to whom he will dedicate
Tonight’s the night (
1975).