In order to extend its sales periods, the house has decided to anticipate the call for competition, which will present its ready-to-wear at the end of February.
It is therefore a small pop and experimental bubble that the artistic director Julien Dossena delivered: 33 models looking like dolls parading in a changing light of pink and purple, in little puffy, peplum and draped dresses, in acid colors.
Not stingy with details, the bodices are adjusted, the sleeves, balloons, the collars, Victorian, and the jumpers with basques, ruffled.
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Up close, each piece reveals itself to be a little gem of technicality where the stretch jersey "morphs" into sequins, the speckled knit spawns with mirror sequins and the mohair thread blends into the English embroidery or the metallic mesh, the signature of the claw.
“Unconsciously, the fact of parading in January pushed me to play with more abstract volumes of haute couture and collages of materials
, confided Dossena at the end of the show at the Palais de Tokyo…
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