This article is taken from the
Figaro Hors-série “1622 - 2002 - What's new?
Molière!”, find in this issue
a special file on Jean-Baptiste Poquelin, known as Molière.
A hard-pressed actor who became the king's comedian, court darling and object of cabals, he spans the centuries: his work plays and replays an eternal human comedy.
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Figaro Special Edition "1622 - 2002 - What's new?
Moliere!”
Le Figaro
LE FIGARO. - What was your first contact with Molière?
Fabrice LUCHINI. -
There is not a theater course worthy of the name that does not require its students to play Molière.
For me, this was the case with Jean-Laurent Cochet.
But the question raises another: why is this test obvious, necessary?
Louis Jouvet, in his admiration for the 17th century, saw Molière as a pinnacle of Latinity, something that three hundred years later continued to shake us, to resound with its power.
Why do we teach Molière?
For a thousand reasons, the main ones of which seem to me to be the genius of...
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