That was to be expected.
With his sense of dialogue, it is not surprising that Blondin dabbled in cinema.
His friend Nimier collaborated with Louis Malle.
He was more scattered.
We find his name on some credits.
In the screenplays section, he often appears alongside that of Roland Laudenbach, his editor of La Table Ronde.
Together, they worked for a long time on a project entitled
My wife is waiting for me
, which did not come to fruition.
They are credited in the credits of
La Route Napoléon
(1953).
The novelist joins forces with Paul Guimard to write
À nous deux Paris!
(1966).
He had adapted a short story by William Irish,
Obsession
(1954), for Jean Delannoy.
To discover
YOUR COMMUNE - The results of the second round of the presidential election in your area
Discover the “Best of the Goncourt Prize” collection
Read also
Antoine Blondin, the brawling hussar
In his drawers lay a script on rugby, co-signed with journalist Denis Lalanne.
With Yves Boisset, Blondin takes on a thriller by Giorgio Scerbanenco.
This gives
Switchblade
(1970), in a Milan filled with orange miniskirts and convertible Alfa Romeos, with a perverted killer and a decadent heir.
The decor consists of bottles of…
This article is for subscribers only.
You have 74% left to discover.
Cultivating your freedom is cultivating your curiosity.
Keep reading your article for 1€ the first month
I ENJOY IT
Already subscribed?
Login