A shiny black piano, a narrow stage and red curtains, the Théâtre de Poche-Montparnasse looks like a cabaret.
That's good.
Blonde hair tightened by a bar, generous neckline, perched on scarlet pumps, Émeline Bayart interprets forgotten French songs by Jean Nohain, Richard O'Monroy or Albert Willemetz.
Little jewels that evoke the woman in all her forms, poignant, alluring, corrupt, scoundrel, who laughs, who cries, who seduces, who bewitches, who loves her past loves, strong men, bullfighters - but not only.
She also who has a cheerful wine, who is facetious, passionate, poet and cavalier.
I'm decadent
by Brigitte Fontaine,
Too bad for the rhyme,
composed by Jean Nohain and Mireille,
"How good it is to be a young lady
", intones Émeline Bayart, borrowing the words of Guy Breton and Raymond Legrand, immortalized by Colette Renard.
To discover
YOUR COMMUNE - The results of the second round of the presidential election in your area
Discover the “Best of the Goncourt Prize” collection
Read alsoLes Goguettes, these new singers at the Olympia
Inspired by
The Art of Singing a Song
, the book by Yvette Guilbert, who went through…
This article is for subscribers only.
You have 65% left to discover.
Cultivating your freedom is cultivating your curiosity.
Keep reading your article for 1€ the first month
I ENJOY IT
Already subscribed?
Login