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Our review of Tout Feu, tout femme: look for the woman with Émeline Bayart

2022-05-05T11:56:19.192Z


CRITICISM – The actress singer delights the public with a show of forgotten French songs that evokes femininity in all its forms.


A shiny black piano, a narrow stage and red curtains, the Théâtre de Poche-Montparnasse looks like a cabaret.

That's good.

Blonde hair tightened by a bar, generous neckline, perched on scarlet pumps, Émeline Bayart interprets forgotten French songs by Jean Nohain, Richard O'Monroy or Albert Willemetz.

Little jewels that evoke the woman in all her forms, poignant, alluring, corrupt, scoundrel, who laughs, who cries, who seduces, who bewitches, who loves her past loves, strong men, bullfighters - but not only.

She also who has a cheerful wine, who is facetious, passionate, poet and cavalier.

I'm decadent 

by Brigitte Fontaine,

Too bad for the rhyme,

composed by Jean Nohain and Mireille,

"How good it is to be a young lady

 ", intones Émeline Bayart, borrowing the words of Guy Breton and Raymond Legrand, immortalized by Colette Renard.

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Source: lefigaro

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