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Without filter, by Ruben Östlund: the cruise abuses

2022-05-22T19:52:38.520Z


IN COMPETITION – Swedish director Ruben Östlund returns to Cannes with a new firebrand that does not make (nice) quarters.


Yes, they are beautiful.

Obviously, Carl and Yaya are models.

The film starts with a casting of male models.

A director is shooting a behind-the-scenes documentary at this cattle fair.

He doesn't stop talking, asks the hero if he doesn't mind being harassed by homosexuals and being paid three times less than his female colleagues.

We learn that brands require their muses to shoot a three-foot-long head.

Cheap brands can be recognized by the smiles of the models.

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We find the two in a starred restaurant.

The bill arrives.

This causes an anthology dispute.

Yaya had promised to invite her boyfriend.

When the waiter places the note on the table, she looks away, concentrating even more on her phone.

Carl rebels, refuses to give in to gender stereotypes as they say now.

She ends up agreeing to pay.

Problem: His credit card is declined.

Yet she earns more than him.

All is said…

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Source: lefigaro

All news articles on 2022-05-22

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