After the relentless thriller
The Law of Tehran
, the young Iranian director Saeed Roustaee returns with a radically different film,
Leila and her brothers
.
This family fresco of 2h45 (which would have benefited from being a little tighter) shows an incredible sense of the image and the spectacular.
From the first scenes, the film captures its audience and won't let go.
Three sequences intertwine masterfully.
To discover
Discover the “Best of the Goncourt Prize” collection
Saeed Roustaee begins his film by delicately approaching his camera to a solitary old man, Esmail, who is smoking a cigarette in the sun.
This shrewd patriarch with a plaintive gaze goes to a place of prayer to talk to his cousins whom he admires but who do not return this naive veneration to him, to say the least.
Pitiful Harpagon
Sudden change of scene with the second action which plunges into the heart of a metallurgical factory in full effervescence.
Hundreds of employees wearing yellow helmets refuse to leave the premises as the company has just been brutally...
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