How to bring back the spectators?
Marie Didier signs her first edition of the Marseille Festival, after having directed several national stages (Dieppe, Saint-Quentin-en-Yvelines and the Rose des vents in Villeneuve-d'Ascq).
She wanted to answer the questions raised by the health crisis:
“There is no point in encouraging the living arts in situations that no longer create desire.
We must recreate a more sensitive and concrete link between populations and artistic creation
,” she said, aiming at theaters and institutions that are struggling to fill their rooms.
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The public will be closely involved.
The public stage relationship is invented other than face to face, a position practiced between the screen and the spectator during these months of pandemic, with all the comforts that one has at home and the freedom to pick up.
The dance, which composes a…
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