Damascus-SANA
Poet Omaima Ibrahim’s collection “A Child, Anthem and a City” is distinguished by its deep symbolic connotations, its immersion into human worlds, and the emergence of an element
The inner music stems from the coherence of the sentences and structures, the comfortable inner feeling and the whisper stemming from the harmony of the letters of the whisper and the loudness in the texts.
The critical readings of the two writers Qahtan Bayrakdar and Muhammad Al-Hafri in the critical symposium held at the Arab Cultural Center in Abu Rummaneh were able to enter the inner worlds of the text and deduced its content and symbolic connotations.
Bayrakdar explained that he tried in his reading to be more documented than critical by providing a full explanation of what the collection contains and its contents in terms of meaning, artistic work, images and imagination, and a comprehensive review of everything contained in the collection, indicating that
There are some observations, including the presence of subjectivity in the whole group because of the poems of love and war and the difficult psychological impact of this war. The poet was putting herself in her poems and the group was successful and successful in the prose poem.
Al-Hafri indicated that the poet Ibrahim, in most of her productions, tends to write that has to do with innocence and the distant countryside, such as water springs, paths, harvest seasons, and nature.
Her group, Sir Al-Ghaim, while she was in this group, was harsh because of the consequences of the unjust war on Syria.
The poet Ibrahim explained in a statement to Sana that the critics were successful in entering her human and emotional worlds, and were able to capture a lot of what she tried to hide and elude in this group, and he read it deeply, noting that the group carries a lot of sentimental, especially the oppression related to the war from which it tried to escape, but it remained He came out in her texts in one way or another and she is in the end with poetry for the sake of man.
The symposium was moderated by the novelist Samar Al-Kalis, who saw that the poet Ibrahim spoke in the group about her pain and concerns, and was able to bring out the child inside her through the emotional self-sense found in the group’s texts.
Bilal Ahmad
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