How to explain the mysterious but real disappointment that invaded part of the public, sometimes inclined to withhold their applause, I can testify to it, sometimes to leave the room prematurely during the performances of
Parsifal
at the Paris Opera in June?
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On reflection, the causes are multiple.
Let's move on to the musical direction of Simone Young, whose repetitive and inelegant beat discourages us from looking at her during the performance and further fuels our eternal regrets at the departure of Philippe Jordan (who looks more and more physically like Karajan), the best conductor with which Paris has been honored for a long time, he who has raised the level of an orchestra that has finally become worthy of a capital, and who is today the heyday of the Vienna Staatsoper.
To tell the truth, each bar of the
Ring
or of
Parsifal
conducted by Jordan gave birth to a new Wagner, while our uninspired Maestra noisily conducts a score from which she expurgated all tension...
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