Damascus-SANA
The Young Writers Club hosted Maestro Misak Baghbudrian, the conductor of the National Symphony Orchestra, to tell them about his experience with creativity and music during his life full of successes and achievements.
Dr. Ratib Sukkar explained in the monthly symposium hosted by the Arab Cultural Center in Abu Rummaneh that the club permanently hosts Syrian creators and thinkers in all areas of creativity to talk to young writers about their experiences.
He pointed out that as long as music is an important part of creativity, as is rumored in the communication of arts and their overlapping, it was necessary to host the creators in this field, and Maestro Baghboudrian is one of the most important Syrian and Arab musical figures. To benefit from his experience and successes.
Maestro Baghbudrian indicated that he feels very happy as he conveys his experience to young Syrian creators, and he seeks not only to tell them about his experience, but to exchange ideas and opinions and share his experience with them, especially that the path of music in our society is not easy.
He pointed out that music is present not only in poetry and literature, as it is the rhythm of our lives and the beat of our hearts, and we live within musical harmony throughout life.
The club’s youth asked questions to Maestro Baghboudarian, who told them about his experience since his childhood that thinking about the future is what prompted him to walk the path of music since the age of six and his affiliation with the Arab Institute of Music, which is today the Solhi Valley Institute, and about the difficulties that the students of the institute faced through strict methods In musical education, which he later discovered was the reason for his success and creativity.
He also told them about his graduation from the Higher Institute of Music in 1995, specializing in piano and his work as a teacher of orchestral distribution, in addition to his work as an assistant to the conductor of the symphony, then his studies in Italy at the Florence State Institute and the courses he followed in many European countries.
Maestro Baghbudrian, Professor Mutei Hamza, the Arabic language instructor at the Ministry of Education, poet Ghada Fattoum, and many students and members of the club participated in the dialogue, who threw in front of him some of their literary productions of prose and poetic texts, which he admired and praised.
Bilal Ahmad
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