(ANSA) - BARI, 02 JUL - "Peace, solidarity and hope in homage to Gino Strada and his Emergency".
This is the message launched by Retake Bari in the four murals made in via Duca degli Abruzzi on a wall owned by Rete Ferroviaria Italiana (FS Group).
Four works by four artists who wanted to enhance the active role of women in society and in peace negotiations.
Three of the four artists belong to the collective of illustrators of "Puglia tells".
They are Daniela Giarratana, Nadia Gelsomina and Amalia Tucci.
The artists have declined the theme in a different way, representing the concept of aid, relief and solidarity of Emergency almost like a militancy (Giarratana), depicting the horrors of green parrots, devices described by Gino Strada, and the
miraculous intervention of peace represented by a woman (Gelsomina).
In the mural by Amalia Tucci a crane "restored" with the use of the Kintsugi (Japanese restoration technique), regains the right to life and freedom.
The last mural was created by a collective of young artists, led by Daniela Sersale, president of the "Artesana" association in Triggiano, who represented a work by the Bari-based architect Germana Gench: a graphic project inspired by the Afghan graffiti artist Shamsia Hassani, in homage to Emergency's work in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
In the mural by Amalia Tucci a crane "restored" with the use of the Kintsugi (Japanese restoration technique), regains the right to life and freedom.
The last mural was created by a collective of young artists, led by Daniela Sersale, president of the "Artesana" association in Triggiano, who represented a work by the Bari-based architect Germana Gench: a graphic project inspired by the Afghan graffiti artist Shamsia Hassani, in homage to Emergency's work in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
In the mural by Amalia Tucci a crane "restored" with the use of the Kintsugi (Japanese restoration technique), regains the right to life and freedom.
The last mural was created by a collective of young artists, led by Daniela Sersale, president of the "Artesana" association in Triggiano, who represented a work by the Bari-based architect Germana Gench: a graphic project inspired by the Afghan graffiti artist Shamsia Hassani, in homage to Emergency's work in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
the last mural was created by a collective of young artists, led by Daniela Sersale, president of the "Artesana" association of Triggiano, who represented a work by the Bari-based architect Germana Gench: a graphic project inspired by the Afghan graffiti artist Shamsia Hassani , in homage to the work done by Emergency in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
the last mural was created by a collective of young artists, led by Daniela Sersale, president of the "Artesana" association of Triggiano, who represented a work by the Bari-based architect Germana Gench: a graphic project that draws inspiration from the Afghan graffiti artist Shamsia Hassani , in homage to the work done by Emergency in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
in homage to the work done by Emergency in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).
in homage to the work done by Emergency in Afghanistan.
Gino Strada holds a vase with a shower head in his hands (icon of the artist Hassani, symbol of hope and freedom).
(HANDLE).