Born in 1935 in Laon (Aisne), the son of a militant doctor at the SFIO, François Bott joined France-Soir
in 1958
, then the leading French daily by circulation;
he then moved to
L'Express
and then to the monthly magazine
Le Magazine littéraire
, which he founded at the end of the 1960s, before joining and directing
Le Monde des livres
, between 1983 and 1991. From this journalistic experience and his long frequenting books and writers, in 2010 he produced a touching confessional story,
La Traversée des jours.
Memories of the Republic of Letters (1958-2008)
.
An excellent portrait painter (see
Extreme Women
and
Should we return from Montevideo?
), boxing lover and crazy about the "little queen", François Bott left us a fine lineup of truant works where erudition was tinged with poetry, fantasy and humor.
And this since the publication of his first book, devoted to one of his masters, the communist dandy Roger Vailland, the author of
The Law
and
325,000 francs
(
Les Saisons de Roger Vailland
, in 1969).
Curious about everything, Bott had even "committed", in 2016, the imaginary and intimate memoirs of the painter Van Dongen, on the verge of death (
The Last Tango by Kees Van Dongen
).
A few years earlier, this unconditional supporter of the Stade de Reims, in love with Deauville, had published his most intimate story:
The Summers of Life
, where he sang, for a season, the "precarious pleasures, the things of down here".
elegant feather
In
Writers in a dressing gown,
Bott, always with his elegant pen, had sketched from life some forty authors, constituting as many literary escapes, including Boris Vian, Joseph Kessel, Marcel Aymé or Raymond Chandler.
He had thus portrayed Jacques Prévert:
“He crossed the century with his eternal cigarette butt, and his ghost still wanders through Paris, praising the passions of youth or the trial (sarcastic) of the impediments to living.
With a particular antipathy for the admirals, and a lot of affection for the plumbers-zinc workers...»
Lover of good words, greedy of the verb, he had, in the evening of his life, published a collection of thoughts, observations, maxims, under the title
Aphorisms for the bus & the metro
(The Round Table).
It read:
“Since life is a journey, as Mme de Staël says, here are some sixty aphorisms for Parisian transport – buses and the metro.
A kind of viaticum for traveling in Paris.
And, coming to illustrate these aphorisms and these maxims, memories, bits of stories, scenes, sequences of daily life, in public transport, which draw a sentimental geography, a cartography of souls.
»