Who set fire to the body of the young Tunisian Mohamed Bouazizi in 2010?
And who wrote the novel removing the nails of the children of Daraa?
And who is working today to turn the case of the death of the Iranian young woman, Mahsa Amini, into a trigger for riots and violent demonstrations in the Islamic Republic of Iran?
Bouazizi was photographed on fire. It was said that he set it himself in response to the Tunisian police confiscating his goods from the rickshaw from which he lives, but the truth remains wrapped in investment agendas and political and media exploitation that transformed the young man from a mere rejection of his grievance to a detonator of the so-called “Arab Spring” without ever knowing. He knows that his grievance, if it occurs, has turned into a great resentment that affected the Arab peoples from the far west to the far east.
The incident occurred, but not in isolation from political exploitation led by Brotherhood parties in Tunisia and abroad to overthrow the existing regime and gain power at any cost, and this was achieved for them, and after that the Tunisian leadership (the Brotherhood’s Ennahda Party) turned into a sponsor of terrorism and a house for issuing fatwas for jihad against Syria and a source of extremists and “jihadists.” To it, which raises the big question.. Was Bouazizi’s body a programmed spark for the “Arab Spring,” which aimed only to destabilize, weaken and dismantle the Arab countries for the benefit of the Israeli occupation entity?
In Syria, with the onset of the crisis in it, it was necessary to tell a story that evoked the human sense and popular and international sympathy, which stirred people’s feelings and anger against the state and ignited the fuse of war. The novel “Pulling nails” was fabricated by a number of Daraa children as punishment for writings against the state on the wall of their school!!
The story, which did not appear in a single picture to confirm it, is still a “necessary” to this day repeated in any news story published by the Western and some Arab media about the cause of the war in Syria.
The programmed targeting of Syria required (an icon, even if a fake, a novel) that motivates the street and provokes people to shed blood, which will draw other blood, and so on. And laying the blame on the police and the army, and let the feelings of anger stir up again.
From (the children of Daraa to Hamza al-Khatib to the young woman Zainab al-Husni and al-Qashush) were all tools required by the programmed action plan to target Syria, and narratives that Western media outlets needed to rely on to incite and provoke instincts to continue killing and bloodshed and inciting local and international public opinion, human rights organizations and the UN Security Council against the state Syrian.
The evidence is that the Western media did not treat any terrorist bombing against any Syrian civil institution except as an operation “against the regime.” Those media outlets did not describe any bombing of any hospital or school as a terrorist act, but rather sought to justify it.
Even today, this media policy is still followed in that “free media”.
The story of the Iranian young woman, Mahsa Amini, who died, according to local authorities, of a heart attack while being arrested by the police, is also not far from the “icon industry” by the Western media to destabilize Iran and strike it from within after Western powers failed to subdue Tehran.
There is no doubt that the West and its media, which controls the flow of information in the world, are creative in manufacturing “icons” and using them to provoke the anger of the street and direct this anger against the state and the government, as is happening in Iran, with the aim of overthrowing it.
But after everything that happened, should we not ask what is the interest of the Iranian government in killing this young woman, as the Western media claims?
What is the benefit of the killing?
Could it not be a “wick” ignited by the West?
The Western “media and political” investment in the issue, and this media condoning riots, killing and slaughtering policemen, setting them on fire, and sabotaging private and public property carried out by protesters, exposes Western involvement, at least, in inciting riots and killings, and this involvement is further increased by Elon Musk. Activating the “Starlink” satellite internet service in Iran at the request of the US President in support of the protesters.!!
There is no doubt that the knowledge war waged by the colonial West against our countries and our region, and the media and its technologies being its most important weapons, needs firewood, and this firewood is the “icons” that this media manufactures so that the fifth column is followed by the rabble of people. the world, and to ask a thousand questions before we believe any Western narrative, whether it is transmitted by the Western or the domesticated Arab media.
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