Friday morning, Jonathan Anderson meets the Republican Guard where his summer 2022 collection had paraded during an anthology show, unanimously applauded.
While he has, in the meantime, pushed the limits of experimentation, this return shows that the boundary is tenuous between real creation (even in ready-to-wear) and the disconnected ready-made of the woman to whom mode is supposed to address.
In the center of the decor, a giant fiberglass arum flower, a phallic symbol if ever there was one - Guy Bourdin would say no less.
Anderson does not highlight its erotic dimension but justifies this choice by the strangeness of this flower so “plastic” that you never know if it is artificial or not.
This way in which nature plays with illusion interests him more than "
false digital realities"
contemporary.
The public's attention is intense when from the central trapdoor comes Taylor Russell, the young actress starring
in Luca Guadagnino 's long-awaited
Bones and All ...
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