What happens after the golden age of television? The same gold, albeit buried under a massive offer

Jorge Carrión (Tarragona, 46 years old) advanced in 2011 the global power, almost as powerful as that of classical literature, of the stories created in television series in his essay

(Errata Naturae).

At that time, he was already talking about

, the Fishers from

, and the antiheroes from

and

.

11 years have passed in which new classics have emerged, such as

and other types of global phenomena, such as

and

.

They go hand in hand with a mass supply of series that has brought the arrival of countless platforms, some of them fleeting.

To re-evaluate the new television scene and adjust some pending accounts with the original text, Carrión, PhD in Humanities from the Pompeu Fabra University in Barcelona, ​​launches a

edition of his text, edited by Galaxia Gutenberg.

It includes a selection of the articles he has published in

and

in recent years.

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For the author of

, the current quality in terms of television series is similar to that of then.

Only our perspective has changed.

“The problem is that before we admired those 10 excellent series that appeared out of 500 and now we find 10 excellent series out of 50,000.

The percentage has changed, but not the amount of good material, ”he defends in mid-October, just before giving a talk with critic Lorenzo Mejino at the CCCB Theater in Barcelona during the Serializados festival.

“

didn't win any awards.

It was created with total freedom, without any kind of pressure.

That changes radically starting in 2007, with

and

Everything is codified, creators face a lot of expectations and it doesn't happen again that a creator has complete freedom”, he explains.

Jorge Carrión, author of the essay.wikimedia commons

But

is not a compilation of masterpieces, rather it tries to represent and analyze an entire industry, comments Carrión.

“It was born out of the idea of ​​Shakespeare as a popular author, not just a classic.

, for example, has moved me, and it appears in the new text, as

appeared in its day ”.

The new television reality complicates the creation of a new edition of this essay in the next decade.

“There are fewer and fewer series that you can write a long essay on in a mass medium about phenomena like

and

.

The fragmentation of the audience means that there is not enough public that has seen it.

I would have liked to write about

(Apple TV+), an extraordinary series, but I thought that my readers were not going to know what it was about”, he laments.

Cover of the second edition of 'Teleshakespeare'. Galaxia Gutenberg Publishing House

A new concept that Carrión analyzes in his

text is that of self-awareness in the series, which affects their own plots.

He remembers how

in its last season makes some of her characters shoot a movie about her own story, already told in the series.

That self-awareness even extends to other projects.

With

, Damon Lindelof sought to correct the bittersweet feeling that he left in many followers of

, his previous work, taking up and refocusing some of his reflections.

Michael C. Hall probably wouldn't have been Dexter if he hadn't played David in

.

And adapting

, the creators of

went to places that the constricted narrative structure of their previous success did not allow.

“Series are often addicted to their own past.

It is an increasingly complex and infinite phenomenon.

Wonders like

have a great lead being born out of a supporting character.

And Diane Lockhart [secondary of

, protagonist of

] is something like the memory of 15 years of television”, comments the essayist.

Although the ability of series to generate conversation has diminished, can sound fictions achieve something similar?

“In Spanish,

and

begin to attract millions of listeners.

I think the time will come when they will be as talked about as those on television”, warns the Catalan.

In December, he launches a new project with the Podium Podcast, expanding the

universe ,

.

It is an experimental

entitled

and focused again on technology, science and culture.

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