"Love Alert"
.
This Thursday, January 5, took place a surprising scene on the set of “Touche pas à mon poste”.
While Cyril Hanouna is analyzing the outfit of his columnist Gilles Verdez, he stops, troubled.
“There is a magnificent woman behind you
,” he tells the columnists.
“No, frankly, you are magnificent.
Seriously, I feel like I've arrived in paradise.
When you see heaven, there's a girl like that waiting for you.
It's a crazy thing
, ”insists Cyril Hanouna.
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The presenter begins to exchange with the woman in question as well as with her daughter seated at her side.
While bringing her a microphone, he asks her a series of questions.
He even goes so far as to turn to Gilles Verdez to ask him if the columnist is not single.
“You always ask me the question but no, to my knowledge no,”
he replies.
However, the woman with long white and shiny hair, installed in the public dressed in an immaculate coat, seems to be interested in only one person: Cyril Hanouna.
“You are very handsome
,” the woman confesses to him.
"Get out, get out"
"We will perhaps leave you"
, intervenes Jean-Marie Bigard.
And the presenter will take him at his word.
"Go away, I'm not kidding.
Everyone.
The public too”
, he proclaims before adding:
“get out, get out.
Murielle, you stay but the others get out.
I don't give a shit
. "
And the public as well as the chroniclers comply with these requests, in a state halfway between amazement and disorientation.
"Can't you see I'm on a lease, get out, put yourself over there
," says the presenter, accompanying his words with a wave of his hand.
All the spectators then find themselves crowded between the space reserved for the cameras and a corridor.
“Thank you for coming, get out, there is a love alert, a feeling alert,”
he insists despite the time it takes to evacuate the entire set.
Feigning love at first sight, he adds:
“Hurry up, love doesn't wait.
I want to be alone with my girl
.
And when a member of the public remains seated in their place, without moving, the presenter pins them.
“He discusses him more, “why” he says to me, no but oh.
The
“get out”
and
“magniez vous le cul”
burst onto the set.
"We don't want to see anyone.
Go ahead darlings, thank you, get out, you're loves.
You have nothing to do, it's just rubbish
.
After verifying that the chroniclers have indeed left, he leaves to settle alongside Murielle and her daughter.
"Don't you have homework to do?"
, he asks the young woman in a humorous tone.
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"I'm happy to be here
," admits the mother.
"Me too, plus we're alone.
I don't like it when there are a lot of people, it oppresses me,”
adds the presenter.
The atmosphere has just turned to romance on the set of "TPMP".
Pink neon lights and romantic music, it's all there.
“Guys it looks like an erotic movie there.
Give us a slow”
, he claims while heading towards the center.
The stage quickly turns into a dance floor.
And right in the middle of the slow of Cyril Hanouna and his suitor Muriel, the columnist Raymond Aabou asks to dance with his daughter, Cindy.
From there, the presenter makes it his mission to associate each columnist or columnist with a person from the public in order to perform a slow motion.
“Baba” even goes so far as to grab the microphone to sing
Dreams are my reality
by Richard Sanderson.
This parenthesis is over.
"I'm not hiding from you that we're live with this bullshit so I'm going to give the public a little time to recover
," asks Cyril Hanouna.
And if some seem delighted with their "pickaxe", others are experiencing a real moment of embarrassment.
This is the case for Cindy who admits it to her one-night partner.
Confession that ends up upsetting the columnist, the latter having had a crush on her.
Bad luck for him, this crush does not seem to be completely shared.
“I want us to meet people, but above all we are on a TV show
,” recalls Cyril Hanouna.
