This Saturday, January 14, the singer
Zazie
was the portrait of the week in “
50 minutes inside
” since she is back in “
The Voice
”.
She will be a coach this year alongside Amel Bent, Vianney and Bigflo & Oli.
Currently filming blind auditions and battles, she gave a few minutes to Nikos Aliagas.
The opportunity to look back on his childhood and this sensitivity that has always accompanied him.
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“I think that if it had existed at the time, I would have been diagnosed with hyperactivity, HPE, that is to say High Emotional Potential
and
all that stuff…”
Zazie begins to tell before adding
“j I was two years ahead which I didn't notice either, but at school it was huge”
.
The gap with the other children also comes from his education.
"We didn't have TV at home by choice of my parents, I found after that it was a very good choice, but we row we pretend to know"
remembers the singer who then shares the tasty anecdote that as a child she thought that Cloclo, the nickname of Claude François, was a brand of detergent.
“This little girl, she understood nothing, but knew everything”
It's a
“quirky child's life”
that she describes inhabited by
“a feeling of shame at not quite belonging to this environment while already having these antennae, being very empathetic.
We feel that the other does not want to be your friend, but we go anyway
.
"It teaches courage"
analyzes Zazie today and she assures him, this exacerbated sensitivity has proven to
be "an asset"
in his career.
When she becomes a mother, she applies the same vigilance with her daughter Lola:
"with her father we did a little retention on everything that is portable".
His daughter now in her twenties
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Younger, Zazie searched for herself for a long time.
She began studying physiotherapy and then applied foreign languages, courses that have always remained unfinished.
Amid a few modeling deals, the thread
“that never broke”
is music.
In 1995, with her second album
Zen
, she rose to prominence.
She then went on to hit hits like
Larsen
, her duet with Axel Bauer À
ma place
or
Rue de la Paix,
which installed her comfortably in the French musical landscape.
At the end of his portrait, Nikos Aliagas puts his guest in front of a photograph of her as a child.
"Don't leave me at any age of my life, never stop being immature, happy and too ridiculous"
she declares to herself because this little girl
"she didn't understand anything, but knew everything".
