Le Figaro Magazine
What are the Victoires de la Musique for, which some facetious people call the "suppositories of music"?
To gain ratings and crown musicians who don't need it.
We take the same ones – Stromae, Clara Luciani, Juliette Armanet, OrelSan, Grand Corps Malade, Angèle – and start again.
By taking great care never to reward the talents that should benefit from it.
The day before the high mass, the journalist of
Figaro
Olivier Nuc had already said all the bad things he thought about it.
How long will this lamentable ceremony recommended for insomniacs last?
An endless show, ugly, without surprise, and very expensive.
At the base, there are already signs that speak volumes: the Victories have been, for nearly 40 years, presented by eminent specialists and musicologists such as Michel Drucker, Arthur, Jean-Luc Delarue, Daniela Lumbroso, Cyril Hanouna , Stéphane Bern, Alessandra Sublet, or Daphné Burkï.
You can see right away that the level is high.
Alas, Charly Oleg, Micheline Dax (who whistled well), Bernard Tapie, Paul-Loup Sullitzer and Pierre Bellemare were never invited to present the great television moment.
These specialized tenors are there to be enthusiastic about a track record that oozes prescription and always surprising discoveries.
This year were selected, among others, Clara Luciani, Stromae, Juliette Armanet and OrelSan, boboid idols already present in the 2022 selection. Not to mention Grand Corps Malade
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