Philomena Cunk was born as a character on Charlie Brooker's satirical show—the culprit of
Black Mirror
— on BBC2.
Cunk was a satire on female TV presenters, mocking the prosody and bluestocking tics of the trade.
So Brooker required that would-be performers speak English with the affected neutrality of a BBC journalist, with no regional traits.
But when actress Diane Morgan applied for the role of her, she asked to audition with her accent from Bolton, a city attached to Manchester.
Brooker accepted, and Philomena Cunk took on, like Pinocchio, a life of her own.
The beauty of this story is that Diane Morgan did not make a career in the serious theater because of that same accent that has finally led her to success.
The Earth according to Philomena Cunk
(Netflix) is the internationalization of a character who has been making the British laugh since Brooker's program and his independence in
Cunk on Shakespeare
,
Cunk on Britain
or
Cunk on Christmas
.
It was considered too parochial a comedy, trusting everything to the British cultural context, puns and Morgan's Boltonian accent, but his outing to the world confirms, once again, that humor is a universal force.
I've never been to Bolton, but I have a hard time laughing.
Cunk interviews university experts who react spontaneously to his nonsense, such as: "Did there really exist the fifties?"
or "Which was more culturally significant,
Beyoncé's Renaissance or
Single Ladies ?"
It is a total comedy, which transcends the parodied.
At the end of the first chapter it's hard to know what we're laughing at: the academic petulance, the idiocy of the reporter, Leonardo da Vinci, us?
I don't know, but one turns off the television with a very pleasant sensation of lightness, as if important things were no longer important.
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