It's a wonderful thing with the films of François Ozon, you never know in advance what feeling they will inspire in you.
However, it is mathematical: when the charm operates, the pleasure is multiplied!
Eight months after
Peter von Kant
who had us sorry, the hyperactive filmmaker returns with
My crime
, a jubilant work.
Taken from a play by Georges Berr and Louis Verneuil, it follows the journey of a broke actress who, defended by her best friend, a lawyer, accuses herself of the murder of a libidinous producer to try to know her quarter of an hour. of glory in the Paris of the 1930s.
By adapting this legal chronicle punctuated with twists and colorful dialogues, Ozon saw the opportunity to resonate, with humor and style, some burning current issues, while maintaining an assumed taste for theatricality.
“I don't mind creating effects of distancing and artifice in cinema
.
There, there is also the pleasure of the dialogues of the 1930s which bring to life...
This article is for subscribers only.
You have 72% left to discover.
Want to read more?
Unlock all items immediately.
Without engagement.
TEST FOR €0.99
Already subscribed?
Login