For decades, the
Casal de Catalunya
was a refuge for immigrants who came to the country from that region of Spain.
Center for meetings, cultural activities, social club, library, embassy "without papers";
In short, an anchor in the City for the community.
The place where the Catalan language was the norm and the traditions, a message to pass from generation to generation that became a Buenos Aires reference and now
a necessary restoration has begun.
Fortunately for the San Telmo neighborhood, and for heritage in general -it has been a National Historic Monument since 2014-, the work currently covers the façade of the building.
Since last week it has been
surrounded by scaffolding and the work is expected to take six months.
The second largest community of Catalans
settled in Argentina
and this house is the
oldest in the world
, along with another that is located in Cuba;
the first migrant community is in France.
Throughout
more than a hundred years,
the structure of the house was changing.
It came to be made up of four institutions.
And the growth and importance of the community allowed it to expand as well;
from one building to two.
And its façade kept up with the changes: it was originally Italianate in style, until it was decided to renovate it so that it could reflect the architectural style that represents the region, Catalan modernism, whose greatest exponent is the architect Antonio
Gaudí
.
The façade of the Casal, just before it is wrapped in scaffolding.
Photo: Lucia Merle
Ariel Vives Bloise, president of the institution, accompanied
Clarín
on a tour of the building and its history, which dates back to 1886 and to a married couple:
Luis Castells and Elisa Uriburu.
Both with a very important social and economic position, they bought the plot where the first building was built, the largest, which was inaugurated in 1889. Elisa was the daughter of Francisco Uriburu, a politician and landowner who founded a town that he baptized in honor to her: what is now the town of
Villa Elisa, in the district of La Plata.
The facade, full of images.
A couple of writers and, notably, the last name of the playwright Angel Guimerá, author of one of the most popular works in the Catalan language, Terra Baixa.
Photo: Lucia Merle.
And the first façade of that building continued the neighborhood
status quo
: a classic Italianate style, the one that can still be seen in many of the houses and low buildings of San Telmo.
The builders were Italian immigrants
, who mostly worked on the palaces and residences that were built at that time in Buenos Aires.
It was not until 1910 that the other plot was incorporated, in which the
Pompeu Fabra Library
now operates ;
So named in honor of an engineer and linguist recognized for having established the modern regulations of the Catalan language.
Spanish Hospital, in Belgrano and Dean Funes.
Work of the architect Julián García Nuñez.
Today the façade presents a very important deterioration.
By 1926, with the unified land, the house also grew upwards and the change in the façade was decided.
For this, an architect born in the country was hired, but of a Catalan mother and father: Julián García Núñez, with many works in the City.
Together with Eugeni Campllonch, they designed this front that respects the concept of
Catalan modernism,
based on nature and with decorative elements of great plastic importance.
Casa Solé (1904), by the architect Eugeni Camplloch.
It forms part of the Inventory of the Architectural Heritage of Catalonia.
Photo courtesy: The Power of the Word
And in the casal those concepts were fulfilled to the letter.
It is worth waiting the six months that this restoration will require and then looking for the beautiful figures that make up its façade:
mermaids, winged lions with the head of a woman
, birds, winged dragons, plants, flowers, leaves, human figures.
In addition, the wrought iron of the balconies, profusely ornamented, also with nature motifs.
And of course,
the classic ceramics and the light blue color
that represents this architectural style.
"The façade is also synonymous with the opulence of this batch of immigrants," says Vives Bloise.
The Pompeu Fabra Library.
The plot that was annexed in 1910. Light blue, the characteristic color of this architectural style.
Photo: Lucia Merle
But the germ of this house dates back to 1750 and not to San Telmo, but to
Montserrat
.
In that neighborhood of Buenos Aires -which was not yet called that- families from Catalonia began to gather.
They settled there, also with their businesses.
It is said that Catalan was spoken in the streets
.
These families laid the cornerstone of what would become the Parish of Our Lady of Montserrat, patron saint of the Catalans.
A separate issue: although it sounds incredible,
the neighborhood received a definitive and formal name only in 1972.
Details in the drains, in the window frames and in the tiles located under the eaves.
Photo: Lucia Merle
"The families that came set up their businesses on the ground floors of the houses and lived on the upper floor. By the end of 1770 the monopoly of the Crown of Spain with the port of Cádiz ended (the ships that left Cádiz sailed to America and those who set sail from Barcelona, did so through the Mediterranean), and then the first great migration of Catalans began. Many families already arrived with resources, because in reality they came to America
to increase their fortunes"
, says Vives Bloise.
Sant Jordi, framed by the winged dragons that are located in the smithy.
Photo: Lucia Merle
Going back to the Castells and Uriburu couple, they not only bought the plot, but also built and donated the building.
And
four institutions coexisted in it:
the Catalá Center, the Spanish Embassy, the Spanish-Argentine Chamber of Commerce and the Catalan Association of Mutual Aid Montepio.
But from 1923 things begin to change.
With the rise of the dictator Primo de Rivera to power in Spain, many of the Catalans who began to migrate to Argentina arrived escaping political persecution: "Like my grandfather - recalls Vives Bloise -. So the coexistence of the four institutions it becomes unsustainable. It
was not until 1940 that it reached the format of Casal de Catalunya that is known today",
he summarizes.
Details on the facade of the library.
Photo: Lucia Merle
One of the treasures of the Casal -in addition to the delicacies of the restaurant, with various typical recipes- is its library, Pompeu Fabra.
It has 13,000 books
, some of them incunabula.
For Catalan culture, it is a unique place, which is why it is visited by researchers who come looking for what they cannot find in Spain.
Many books were burned and disappeared during the Primo de Rivera dictatorship.
"Many immigrants
brought books hidden among their luggage
and clothes. And then they handed them over to the library. We have almost 90% cataloged and 70% already uploaded to software that facilitates document management," they explained.
Open to the community, the most important activity is language teaching;
which for the community is much more, since they consider it a language and
part of their identity.
In the darkest times of the dictatorships that Spain went through, they could not use Catalan, not even on the tombstones of their dead.
This year, the Catalan courses include cooking classes and typical dance classes, among other activities.
The crowning of a part of the building.
Golden tiles stand out.
Photo: Lucia Merle
The works in the manor house will accompany those carried out in the
Old Town
, where the City replaces the cobblestones and recovers other historic facades, such as the Otto Wulff building, among other interventions.
During the nights the house will also be
illuminated with new led technology.
SC
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