There were winners and losers, of course, at the Oscar ceremony.
There were more of the second ones than of the first, for obvious reasons -of five candidates per category, 4 out of 50, 80% withdrew empty-handed-, but there were films that were the big winners of the gala and others that were completely ignored by members of the Hollywood Academy.
Let's go ahead with the analysis: what happened with
Elvis
, with
Los Fabelmans
, with
The Spirits of the Island
, with
Tár
, with
The Triangle of Sadness
, all of them candidates for best film?
They did not win a statuette.
And say that performances on stage are not rewarded, because there were several who deserved their prize, and others did not hide their displeasure.
Like Angela Bassett, sitting in the audience, when she lost best supporting actress to Jamie Lee Curtis, and Salma Hayek, who had been enthusiastic when naming Argentina, 1985 among the
nominees
, but when she opened the envelope and read
All Quiet in the front
did not hide, disguise or camouflage his bitterness.
Angela Bassett could not go up with her long dress to receive the award for best supporting actress.
Her disgusted face on her TV was tremendous.
AFP photo
With the Oscars it seems that every year something had to happen for the ceremony to attract attention.
It is already known that audience ratings drop, but this is happening with broadcast television all over the world: people -and young people- follow the awards more through social networks, as Janet Yang explained to me last week , the president of the Hollywood Academy.
But either because of Will Smith's slap to Chris Rock in last year's edition, or because of cultural events more than pugilistic, such as a film not spoken in English winning the best of the year award (Parasites, in 2020
,
days before the Covid-19 pandemic broke out), the first film from a streaming service to win the main prize
(
Apple's Coda, last year), or the first actress to win three main Oscars since Katharine Hepburn (was Frances McDormand, in 2021, for
Nomadland
).
Vietnamese-born Ke Huy Quan (he was the kid from "Indiana Jones and the Temple of Doom"), with his Oscar for "Everything Everywhere...".
AFP photo
Well yesterday at the Dolby Theater
Everything everywhere at the same time
made history.
For one thing, it's the first film considered, among its many intersecting genres, science fiction, to win the Oscar for best picture.
If you want to see it, it's in theaters, on Amazon and on Flow, for rent.
It had 11 nominations -one canceled each other, for best supporting actress, because Stephanie Hsu lost to Jamie Lee Curtis-, so we can well say that it won in 7 out of 10 possible categories.
That number of statuettes, 7, also marks a difference from recent years, when the Academy was not so inclined to support a film with so many distinctions.
Everything everywhere, and all together.
Daniel Kwan, Daniel Scheinert and Jonathan Wang with the award for best film.
Photo Reuters
That was something common in other good times, when productions like
Titanic
, in 1998, which won 11 of the 14 nominations, or
The Lord of the Rings: The Return of the King
, in 2004, were the most nominated and ended up being the most awarded (Peter Jackson's won the eleven statuettes in the categories in which it was nominated), not for theft, but you understand me.
more records
Costume designer Ruth E. Carter became the first black woman to win two Oscars (she did it for
Black Panther
and Black Panther: Wakanda Forever) and winning best original song for
RRR
's Naatu Naatu was her first win. in the category for an Indian film.
Costume designer Ruth E. Carter, the first African-American to win two statuettes.
AFP photo
Another fact for which the Daniels (Daniel Kwan and Daniel Scheinert) film set another record is that Michelle Yeoh became the first woman from Southeast Asia to win the award in this category.
Further?
Like co-stars Jamie Lee Curtis and Ke Huy Quan also won as supporting actors,
Everything Everywhere at the Same Time
is the third film to win three acting awards, following Elia Kazan's
A Streetcar Named Desire
, which did so. in the 1952 edition (Vivien Leigh, Karl Malden and Kim Hunter), and Network: Power to Kill, by Sidney Lumet, in the 1977 edition (Peter Finch, who was the first actor to receive the award posthumously, Faye Dunaway and Beatrice Straight).
Nor is it very common for the award for best direction to be shared by two filmmakers, which was what happened with Los Daniels.
The last to achieve it had been the Coen brothers, Joel and Ethan, for
No place for the weak
, in the 2008 installment.
German director Edward Berger poses with his Oscar for best international film.
for "All Quiet on the Front".
AFP photo
The other production that withdrew from the Dolby Theater more than satisfied is the German
All Quiet on the Front
.
The Netflix production, which bet heavily on this title, won in the category in which it competed with
Argentina, 1985
, and also did so for its direction of photography, its music, and production design.
Four out of nine is not bad.
Lastly, another one that won two of the three prizes it was up for was
The Whale
, by Darren Aronofsky.
Brendan Fraser teared up onstage when he received his Oscar for Best Leading Actor.
The film about the morbidly obese man also won best makeup and hairstyling.
Winners for best actors, the Malaysian Michelle Yeoh and an emotional Brendan Fraser.
AFP photo
Now let's go to the other side of the scale.
It is ugly to arrive with expectations and leave without having gone on stage to thank the parents.
And that happened to five of the ten films nominated in the main category.
Perhaps the biggest failures have been, in terms of awards, those of
The Spirits of the Island
, by Martin McDonagh, and
Elvis
, by Baz Luhrmann.
The first one came with 9 nominations, and we thought that, like so many other times, the Academy was going to give, as a consolation prize, the best original screenplay to its director.
But that's also where the gale of Everything slipped
in everywhere at the same time
.
Not so victorious.
Colin Farrell, nominated for best actor.
"The spirits of the island" was left without any of its 9 candidacies.
Photo Reuters
In the case of the film about Elvis Presley, it had 8 nominations, and Austin Butler, as an actor, and the make-up of Tom Hanks's character, boasted two awards that were not (and that were for the same film: The Whale
)
.
We understand that the Academy adores Steven Spielberg, but
The Fabelmans
did not win any of the 7 statuettes to which they aspired, and the director, who has the curious merit of having been nominated in the last six decades!, does not go up to thank an award since he won best director, for
Saving Private Ryan
, long ago: it was in 1999.
Spielberg, Ke Huy Quan, and Kate Capshaw (Spielberg's wife).
The three met while filming "Indiana Jones and the Temple of Doom."
Reuters
Tár
could win best leading actress.
It would have been the third statuette for Australian Cate Blanchett, which she lost to Michelle Yeoh.
She lost in all 6 categories in which she was nominated.
That
The Triangle of Sadness
, by the Swedish Ruben Östlund, was not going to win in any of its three categories (film, direction and original script) was known.
And among the Oscar nominees, they saved the potatoes,
Ellas hablando
, with the award for best adapted screenplay,
Top Gun: Maverick
(best sound) and
Avatar: El camino del agua
(visual effects).
The Angels. Special delivery
look also
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Oscar 2023: Where to see "Everything everywhere at the same time", the film that won the main awards