The Germans and Russians had already understood it in the 1930s: societal upheavals pass through culture, more precisely through its control. The totalitarianisms of the twentieth century have all but disappeared. Another has been emerging in the United States for a few decades. Less brutal, but more sneaky. The most delusional ideas are born in universities, then spread worldwide via new and very powerful propaganda weapons, multiplied by the Internet: TV series and cinema, in which all "minorities" must be present. During a recent interview with Bret Easton Ellis, star of American letters, author, among others, of American Psycho, a journalist asked him what he thought of the presence of blacks, gays (Ellis is gay) or Hispanics in new creations in Hollywood. "What should matter is hiring the best actors. I don't care if so-and-so is gay or another black person," he said.
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