Tuesday late afternoon, Anaïs Demoustier arrives on the kneecaps at the Marriott. She has just made three feature films. A rhythm of journalist or film buyer. By agreeing to preside over the jury of the Caméra d'or, the actress knew that her days would be full. The Caméra d'or rewards the best first film of Cannes, all sections combined – 23 films are in the running this year. A prestigious distinction, a promise of a future filmmaker who counts – Steve McQueen, Jim Jarmusch, or Jafar Panahi have received it.
In addition to this perilous mission, Anaïs Demoustier presents Le Temps d'aimer, by Katell Quillévéré, at Cannes Première. She plays Madeleine, a character inspired by the director's grandmother. Shorn at the Liberation for having slept with a German who will leave her a child, Madeleine meets a little later François, a bourgeois student recovered from polio, who represses his homosexual desires. Everyone has his secret, which their union will cover without ...
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