"A great cry". The formula comes up regularly in the mouth of Lisaboa Houbrechts, when we meet her on a sunny Wednesday in April, in a small office on Place Colette. For several weeks now, the young playwright has been dragging her long elegant figure through the corridors of the institution. The "big cry", she explains, is the metaphor she found to talk about this desire for theatre that has consumed her since childhood, to the point of occupying all her time today. It is also the silent "great cry" of an actress in a staging of Mother Courage, the play by Bertold Brecht, that she cannot forget. "That big silent howl must have made us feel the alienation of the character," she recalls. I felt the opposite, a very strong emotion!" Years later, she sometimes still refrains, when directing actors, from telling them "but do as in Mother Courage!".
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Since this initiatory experience of the great cry...
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