Many are called, few are chosen.
In recent years we have seen a good handful of series and films aspiring to occupy the throne of the romantic comedy that Nora Ephron left vacant with her involuntary departure from life, in 2012. Who, in the genre, was not going to wonder, Billy Wilder's way with Lubitsch: How would Nora do it?
The latest candidate to reach our TVs is
Colin de Beads
, an Australian production from 2022, whose first two episodes can already be seen on Movistar+.
A comedy created by screenwriters and actors Patrick Brammall and Harriet Dryer, an off-screen couple, and protagonists of this fiction, which starts from a crazy trigger.
If in
Catastrophe
its protagonists were united by an unforeseen pregnancy, in
Colin of accounts
the glue is an adorable dog - how much dogs have done for audiovisual couples since
The Dinner of the Accused
-.
A dog that he runs over after being distracted from her because she spontaneously decides to show him a nipple—a variant of Estopa's
The Slit in Your Skirt
, made into a narrative premise.
References to Ephron are even explicit in this series.
He quotes
When Harry Met Sally
and she thinks he's talking about two friends of his.
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Colin
is rude, funny and tries to sound like Nora Ephron.
But she's not Nora Ephron.
This is what good references have: they function as a horizon, but, as such, one never reaches them, and it is better not to live on them alone.
We see more and more series written by romantic couples.
In the Dryer and Brammall club there are also the Sherman Palladinos, the Kings or the Javis, to name other examples, a situation that Episodes
gracefully portrayed
.
I, like so many others, would have liked to see it told by Nora Ephron.
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