As of: February 3, 2024, 12:10 p.m
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Group photo from the last exhibition with (from left) gallery employee Michel Härawy, the artists Frenchie, Mark Müller and Willem Vos, presenter Christine Adler and gallery director Nour Nouri.
© rbe
“I will miss Tölz,” says gallery owner Nour Nouri.
The last exhibition is currently running in his “Pashmin Art Gallery” on Säggasse.
Bad Tölz
– Now one last time in the “Pashmin Art Gallery” in Tölzer Säggasse, then it’s over.
After the well-attended opening on Saturday evening, the new exhibition entitled “Shifting Paradigms” can be seen there until February 24th.
Subsequently, just 20 months after the opening, the renowned Hamburg gallery owner Nour Nouri, as reported, said goodbye to Bad Tölz again after the wood relief artist Daniel Fuchs, who he looked after and was based here, returned to his East German homeland.
Tölz is undoubtedly losing a star in its cultural scene, and Nour Nouri emphasized once again that he is leaving gratefully and on good terms and will miss the city.
The German-Iranian with galleries in Hamburg, Dubai and China assured: “It was a great time and a great personal enrichment for me.
I'm leaving with tears and will miss Tölz." Finally, the gallery presents four artists from three countries who have unusual careers and come from craft or practical professions.
“Frenchie” exposes the superficial zeitgeist
These men were presented by presenter Christine Adler.
The most striking of them is perhaps the Berliner who works under the pseudonym Frenchie and initially appeared as a graffiti sprayer, who wants to use his satirical, political art to expose the superficial zeitgeist and focus on the victims of consumer culture.
Also working as a chef and in inclusion work, Frenchie provokes with humor and horror and unmasks people in power like Putin and Trump.
Mark Müller, who comes from the field of graphic design and advertising, is based in Stuttgart and presents glued geometric cube sculptures made of wood.
Willem Vos came from the north of Holland.
In Tölz he exhibits colorful, almost garish and large-scale female portraits in acrylic.
They all have magical looks and big eyes like windows to the soul.
Only Peter Bayer from Vienna, who works a lot with abstract, flowery motifs, was apparently unable to arrive on time because of the rail strike.
Further information
This final exhibition is open every Monday to Friday from 2 p.m. to 8 p.m. and Saturdays from 11 a.m. to 4 p.m.