“I saw in his eyes a crush.”
The paths of Hiromi Rollin and Alain Delon crossed for the first time in 1989 on the set of
Dancing Machine.
She was second assistant director, he had the leading role.
“Since a famous dinner”
closing the production of this thriller,
“we have loved each other”.
The Japanese woman, passionate about cinema, captivated by the films of Ingmar Bergman, followed the Samurai to his secret property in Douchy, and never left him for the following three decades.
Until the uproar of the legal case initiated against her by Alain Delon and his three children.
Relegated to the rank of
“companion lady”
, presented as a violent woman towards the octogenarian weakened by a stroke and a serious illness, Hiromi Rollin was repudiated by the actor.
Charges dismissed without further action and which terribly
“hurt”
the sixty-year-old.
Since then, the Delon clan has fractured within itself.
Hiromi Rollin gives Le
Figaro
her take on a fraternal joust, highly publicized and shameless, which is being held, according to her, to the detriment of Alain Delon's health.
LE FIGARO. -
Six months ago, Anthony, Anouchka and Alain-Fabien accused you of having locked their father in a closed door tinged with violence.
What feeling do you have about these denunciations that the courts judged to be
“insufficiently characterized”
?
Hiromi Rollin. -
I still don't understand how I could be accused of such things.
Everyone knows…
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