Saying the painting - or playing it - is something which, apparently, is not spectacular.
Some theaters, in recent days, have seized four artists who have only one thing in common: they are artists of the 20th century.
Between Mark Rothko and Frida Kahlo, there is a gulf;
between Nicolas de Staël and Charlotte Salomon, an abyss.
Their painting distances them but their tragic destiny brings them together: one deported, one disabled and two suicides.
Among these four shows, three readings which remain the most classic bias, if not innovative: Audrey Tautou took on the story of David Foenkinos (
Charlotte
), a novel which had the merit of reminding us of the disastrous destiny by Charlotte Salomon, a young German painter who died in Auschwitz at the age of 26.
At La Scala (Paris, 10th), Helena Noguerra reads the correspondence of the Mexican artist Frida Kahlo, whose life was not a long, quiet river.
His letters testify to his strength of soul
This article is reserved for subscribers.
You have 90% left to discover.
Flash sale
-70% on digital subscription
I ENJOY IT
Already subscribed?
Log in