Complaints have been multiplying since the start of the #MeToo movement.
Women testify, sometimes years after the alleged events, denouncing sexual assaults, some rapes.
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This is the case of Judith Godrèche who filed a complaint against the director Benoît Jacquot to denounce the “sexual abuse” that the director allegedly subjected her to when she was a minor.
“A child does not have the power to consent [...].
This is someone who gets at you in all kinds of ways.
This person had a relationship with sexuality that was twisted and I found myself being his sexual toy
,” declared the actress a few days ago in “C à vous”
.
Judith Godrèche also filed a complaint against Jacques Doillon, also implicated by several actresses including Isild Le Besco and Anna Mouglalis.
The two directors deny the facts.
I think that desire is meant to be sublimated, especially in cinema and there is no need to get into the reality of that.
Fabrice Luchini in “Quotidien”
Fabrice Luchini, who knows all the protagonists, is invited this Monday, February 12 by Yann Barthès to speak in “Quotidien”.
“I could say I'm not going to add comment to comment.
My personal position is not of such great importance for me to say it.
But all these events reminded me of something.
I had the chance to shoot with Éric Rohmer
,” begins Fabrice Luchini.
In fact, the director allowed the actor to begin his career.
Claire's knee
in 1970, then
Perceval the Welshman
in 1978.
Also read “I am not a woke man”: Fabrice Luchini without filter and moved in “Sept à Huit”
“He was the filmmaker of guys who fell in love with actresses. Wonderful women. All his life he fell in love with actresses, but as he was a genius of sublimation, everything was virtual and platonic. Which means that Rohmer was the great contemporary Marivaux and he never wanted to make the potential of his desire concrete. To put it simply, Rohmer has always been platonic and no woman has been unhappy
,” he continues.
A man of letters, passionate about literature, it is obviously with a quote that Fabrice Luchini clarifies his response
.
“A man stops himself
,” he said, echoing Albert Camus before expressing in his own voice:
“I am for Éric Rohmer, I think that desire is made to be sublimated, especially in the cinema and it is not “There’s no getting into the reality of that
,” says Fabrice Luchini.
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