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In Angoulême, comics and gastronomy cross the table

2024-02-14T15:51:21.375Z

Highlights: In Angoulême, comics and gastronomy cross the table. More than 500 drawings, plates and documents by around a hundred authors occupy some 1000 square meters. Main room devotes food and its rituals as mirrors of our societies through extracts from comic strips, but also posters, wine labels, newspapers. It's difficult to make it more current than the family meal drawn by Chris Ware on the front page of the New Yorker in November 2023, where everyone is busy on their cell phones.


REVIEW - With the exhibition “Croquez!”, the Comics Museum questions, through the links between the heroes of the ninth art and food, our intimate, collective relationship to food, cuisine and the land.


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How can we imagine Obelix deprived of wild boars or Popeye without his can of spinach?

To find yourself in the company of these deliciously nostalgic characters, simply walk through the mouth-shaped entrance to the “Croquez!” exhibition at the Angoulême Comics Museum.

If the originals by Uderzo, Morris (

“Joe, when are we eating?”

) and Franquin (Gaston and his codfish with strawberries, Marsupilami and his piranhas) are already worth the detour, the sequel, composed of more than 500 drawings, plates and documents by around a hundred authors occupying some 1000 square meters, does not leave the visitor unsatisfied.

The main room devotes food and its rituals as mirrors of our societies through extracts from comic strips, of course, but also posters, wine labels, newspapers... It's difficult to make it more current than the family meal drawn by Chris Ware on the front page of the

New Yorker

in November 2023, where everyone is busy on their cell phones.

A little…

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Source: lefigaro

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