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Gabriel García Márquez "cabulero": the Augusts that marked his life and his posthumous novel

2024-03-06T13:25:45.985Z

Highlights: Gabriel García Márquez was intuitive and respectful of legends, rituals and superstitions. His son Gonzalo García Barcha said that when Gabo was no longer able to remember his dreams (given the progression of his dementia senile) made the decision to stop writing. August was so present as an amulet in Gabo's life (as much as the flowers and yellow butterflies) that there were many milestones in his life that occurred in August. In an initial reading of the novel - which we have had the opportunity to do - it can be agreed that it contains the most relevant marks of Garcia Marquean's work.


The story behind the title of the posthumous novel by the author of "One Hundred Years of Solitude.


Gabriel García Márquez was

intuitive

and respectful of legends, rituals and superstitions.

Not in vain, after the monumental fame acquired in Buenos Aires for his masterpiece

One Hundred Years of Solitude

, he never returned due to the most widespread superstition of losing the reading love so well earned.

In good tango lunfardo,

García Márquez was a “cabulero”

.

Once a cabal worked for him, he didn't abandon it.

His son Gonzalo García Barcha, who participated from Spain in a virtual press conference on both sides of the ocean with his brother Rodrigo from the United States, said that

when Gabo was no longer able to remember his dreams (given the progression of his dementia senile) made the decision to stop writing.

Many of the stories with which he filled our lives were revealed to him in dreams, his son said when answering a question from

Clarín Cultura.

García Márquez had instinct and let himself be guided by that intuitive magic that many times, from dreams

,

helped him overcome the obstacles of writing.

Both

El Espectador

and

El Tiempo

, both leading Colombian newspapers, tell the story behind the title of García Marque's posthumous novel: “In August See You,” presented to the entire Spanish-speaking world.

Gonazalo García Barcha, son of Gabriel Márquez during novel presentation.

Photo: Cézaro de Luca

El Tiempo

says

that the first time Gabo shared the plot of this novel in public was in

September 1997

, on the occasion of a tribute given to him at

Georgetown University

.

In the article by Orlando Oliveros (Gabo Foundation) it is said that it was incredible that “that man, superstitious to the core, decided to offer a preview of the book.”

García Márquez

had created a distraction technique

when asked what he was writing.

It had a plot, but in reality, the plot went the other way.

Garcia Marquez.

In 2014. Photo: AP

However, the curious thing about this August story was that, over the years, it remained

unchanged

.

She is the same protagonist living the same story in successive rewrites.

García Márquez had read a version of

In August See You

at the

Casa de América in Madrid,

during a forum to which he had been invited.

August was so present

as an amulet in Gabo's life

(as much as the flowers and yellow butterflies) that there were many milestones in his life that occurred in August.

For example,

in August 1947

a friend lent him

Franz Kafka

's

The Metamorphosis

and also in

August 1950

, he began reading

Borges

.

On a trip to Aracataca with his mother, Luisa Santiaga Márquez, he chose to read

August Light,

by William Faulkner.

And in

August 1954

she won the

first important literary prize

and also in

August 1959 his son Rodrigo

García Barcha was born.

Oliveros says that of all Gabo's Augusts, perhaps the most decisive was that of

1966

when, together with Mercedes Barcha, his wife, he entered the Mexican post office to send to Buenos Aires the typed original of

One hundred years of solitude

.

And in several of his novels, August appears as the talisman of action.

Ana Magdalena Bach, its protagonist, continues to return to the Caribbean island to leave flowers on her mother's grave

every August 16.

In an initial reading of the novel - which we have had the opportunity to do - it can be agreed that it contains

the most relevant marks of García Marquean's work

: his prodigious

imagination

, the

poetry

of the language and his

captivating

narrative .

Also,

a tribute to Faulkner and Johann Sebastian Bach

.

Precisely Ana Magdalena Bach pays tribute to the second wife of the German composer.

J.S.

Source: clarin

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