This Friday March 15,
Marie Drucker
was invited to the “Buzz TV” set to discuss the new issue of
“France Grand Format”
.
Broadcast on France 2, the first issue of this program focused on the rise in prices of food products.
On March 19, at 9:10 p.m., Marie Drucker will decipher the housing crisis in France.
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The title of the show sets the tone, like its presenter, who shared her filming experience.
She takes as an example a family who lives in a trailer on vacant land, despite their net income of 6,000 euros per month.
“They are representative, it is not an isolated case, it is not a caricature,”
assures Marie Drucker.
Also read “France grand format”: the profiteers of inflation on France 2
“It concerns everyone, all socio-professional classes,”
insists the presenter, before specifying that this housing crisis in France is unprecedented.
“In the documentary, we see absolutely all facets of the sector.
»
The former presenter of the 1 p.m. and 8 p.m. news on France 2 also returned to her vision of the work of a journalist, which she no longer claims today.
“I’m not denying anything, but I’m no longer a journalist,”
she assures.
In “France Grand Format”, a part is devoted to interviewing guests during a debate.
“I think I'm going to look for certain old reflexes, but I don't interview them in the same way as seven years ago,”
she confides.
It's very different, I don't approach exercise the same way as before.
»
“I would not have been able to act or write a film if I had still been a journalist”
Marie Drucker
This change also made his film career possible.
“It took me a while to move away from journalism,”
reveals Marie Drucker
.
I wouldn't have been able to act or write a film if I had still been a journalist.
»
She actually co-wrote the film
Hors-saison
by Stéphane Brizé, which is released this March 20 in cinemas.
The film, centered on a couple who reunite after fifteen years of separation, is a work made between friends.
“When I met Stéphane Brizé, the conversation quickly became intimate
,” she recalls before listing the subjects they discussed.
“The vision of the world, the relationships between men and women, friendship, the couple…”
Stéphane Brizé then told her that, if he wrote a film about the couple, he would write it with her.
Marie Drucker also spoke about the balance found between them during the process of writing the two main characters.
“I probably nourished the male character much more than the female character, and vice versa.
»