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Gaby, a new play by Pagnol adapted into a comic strip

2024-04-17T11:38:53.512Z

Highlights: Marcel Pagnol wrote a play that he ultimately gave up on producing. It is now found in bookstores 70 years later, but adapted into a comic strip. The play, Gaby, ou la belle et l'argent, is to be published Thursday by Michel Lafon. It appears on April 18, the 50th anniversary of his death. The full text of this play has been lying dormant in boxes for a long time. Nicolas Pagnl, the grandson of the author, explains to AFP that the piece is "very good, very funny, incisive, it has character." It dates from 1954, the year in which another heroine evolving in the same setting triumphed, the Cécile from the novel "Bonjour, Bonjour." The comic strip only uses part of the text of the play, which has never been edited.


Never edited, the work of the writer written in the 1950s, is reborn in the form of a comic strip. It appears on April 18, for the 50th anniversary of his death.


In the 1950s, Marcel Pagnol wrote a play that he ultimately gave up on producing. It is found in bookstores 70 years later, but adapted into a comic strip.

Gaby, ou la belle et l'argent

, to be published Thursday by Michel Lafon, only uses part of the text of this play which has been lying dormant in boxes for a long time.

“I discovered it quite by chance while I was classifying my grandfather's archives

,” Nicolas Pagnol, the grandson of the author, whose 50th anniversary of death is being commemorated on Thursday, explains to AFP. According to him,

Gaby

, the name of a young heiress who lives in a beautiful villa on the Côte d'Azur, dates from 1954. That is to say the year in which another heroine evolving in the same setting triumphed, the Cécile from the novel

Bonjour sadness

by Françoise Sagan. Gabrielle, whose capital was squandered by her father's poor investor, tries to save the day with a beautiful marriage.

“Tighten the plot”

“In discussing with Elsa Lafon

(general director of Michel Lafon editions, Editor's note)

, we said to ourselves that we were going to make a graphic novel because the piece is very good, very funny, incisive, it has character. »

adds Nicolas Pagnol. Since 2015, thirteen adaptations of works by the native of Aubagne (Bouches-du-Rhône), famous like

Manon des sources

or much less so like the play

Jazz

, have been available in the comics section. All coexist with the classic editions of these novels or plays. Not here. According to Nicolas Pagnol,

“we felt that Marcel had not come back to put the finishing touches. The full text might not have done the piece justice. And that allowed us to tighten up the plot

. ”

Jérémy Coquin, doctor of literature who was interested in the theater of Marcel Pagnol, finds this choice logical.

“There are three channels of dissemination of Pagnol's theater today: comics, cinema and the stage. In bookstores, at present, it is through comics that Pagnol is best known.

His theater is still performed, as Frédéric Achard's Marius

recently showed

in Aubagne. But it is little read

,” he adds.

“A popular classic”

The other pieces from the 1950s, Pagnol's last, have fallen into oblivion. And for good reason:

Judas

in 1955, an ambitious biblical fresco, then

Fabien

in 1956, a drama in the middle of the fairground, both made a splash.

“It’s a moment when Pagnol realizes that cinema has become more complicated after the sale of his studios. He no longer has the independence he had before the war and making films costs him a lot of money. He therefore tried to return to the theater, without success, and turned to the novel. He’s groping

,” Marion Brun, another doctor of literature who devoted her thesis to the reception of Pagnol’s work, explains to AFP.

“Adapting a play into a comic book reinforces his image as an author who is highly appreciated by the general public but somewhat despised by the intelligentsia. It is what I called a popular classic, entered into school curricula, but little studied beyond middle school, with its easy feelings, its simple representations of realities

,” she continues. After

Gaby

, Pagnol's Provençal souvenirs will be bestsellers.

My Father's Glory

in 1957, then

My Mother's Castle,

the following year, will ensure his posterity.

The script for the comic strip is by Véronique Grisseaux, who wrote a number of sketches for the television series

A Guy/A Girl

. The drawing is by Luc Brahy, who among other things signed the comic book adaptation of a novel by Franck Thilliez,

Le Syndrome [E]

.

Source: lefigaro

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