The Limited Times

Now you can see non-English news...

Luis Miguel leaves Los Angeles hoarse: 'El Sol' exceeds 100 concerts on tour in the most Mexican city in the United States

2024-04-18T19:12:15.195Z

Highlights: The singer triumphed at the halfway point of his successful world tour with two dates at the Crypto Arena in the Californian city. In California, 40% of the population is Latino, but on Wednesday, the entire Crypto Arena, in the heart of Los Angeles, was Mexican. The secret of his success for decades has been and continues to be his music, his voice, his lyrics. For years, he has remained secretive, closed in on his private life, he does not grant interviews or talk to the press. And so on in the hour and a half of the concert, where he doesn't stop for a moment, and he only takes a short break shortly after halfway, to disappear for a couple of minutes and change his suit. But it works for the audience. Screams and applause rain down, which last for minutes at the end. And the overflowing energy that, unexpectedly, he has recovered to give his all on stage. He doesn't even say hello. Not a "Good night, Los Angeles!", not a "see you soon!". Luis Miguel is in top form; his energy is indomitable; he doesn't stop moving, jumping, smiling, playing with his musicians. Luis Miguel starts with three backup singers and a band of a dozen members, then grows with another dozen string instruments. The first part of the concert brings the Los Angeles public to their feet, while in the second, non-stop, it seems calmer. That's also when the most surprising moment of the night arrives, with its two duets. With crooner workmanship, Luis Miguel is the contemporary Latin dandy. He does not take off his smile or his suit, always carrying the microphone in one hand and the flask in the other. Few wrinkles, fibrous figure, perfect teeth, impeccable quiff, he does not need to present himself or be presented. As a novelty and surprise, a drone flies over the stage throughout the concert, and he knows how to take advantage of the little toy and grabs it, smiles at it.


The singer triumphs in the halfway point of his successful world tour with two dates at the Crypto Arena in the Californian city, with a show lasting just an hour and a half in which he displays overwhelming energy.


In California, 40% of the population is Latino, but on Wednesday the entire Crypto Arena, in the heart of Los Angeles, was Mexican. The home of the Los Angeles Lakers became for the second and last night the home of Luis Miguel, who in the main city of the Western United States surpassed the 100 concerts of his tour, which premiered in August of last year in Buenos Aires (Argentina) , and whose immense success has made it add 50 dates and, if all goes well, almost 180 recitals around the world when the

tour

ends next November. Those in Los Angeles (the first on Tuesday the 16th and the second on Wednesday the 17th), both full, are a good example of the drawing power that the so-called

El Sol de México

continues to draw after 40 years of career . And the overflowing energy that, unexpectedly, he has recovered to give his all on stage.

When the 56-year-old vocalist appears on the Crypto stage before 20,000 souls, he doesn't even say hello. He goes straight in with

Maybe you don't love me

. Then, without hardly breathing,

Love, Love, Love

. And so on in the hour and a half of the concert, where he doesn't stop for a moment, and he only takes a short break shortly after halfway, to disappear for a couple of minutes and change his suit. What Luis Miguel does and the secret of his success for decades has been and continues to be his music, his voice, his lyrics. For years he has remained secretive, closed in on his private life, he does not grant interviews or talk to the press. Therefore, although in the hour and a half on stage he does not stop smiling, he does not address the audience except with gestures. Not a “Good night, Los Angeles!”, not a see you soon, not a wink to the city, not even a presentation of the team that accompanies him. But it works for the audience. Screams and applause rain down, which last for minutes at the end. An ending, by the way, without encores.

The public is, 90%—being conservative—of Latin origin. Almost 20% of the US population is Latino (and of them, two thirds are Mexican. But in California the Mexican community is legion. In a city with almost a million Mexicans (of the 10 million in the entire county of Los Ángeles 4.8 are Latino and 3.6 of them are Mexican, according to estimates from the last census), many take the opportunity to see for the first time the mass idol that they have been listening to at home all their lives. , recalls Claudia, a Nicaraguan, accompanied by her Mexican friends Melissa and Margarita, at the entrance to Crypto. They are friends and, like so many other small groups of women who come to Crypto together, they have been encouraged to come see the Mexican. Most of the attendees are female, some accompanied by partners or children. They have a harder time letting go, but they end up chanting “When the sun gets hot here on the beach” at the top of their voices. pride, we have been following him for many years," say Sonia and Eva, American sisters originally from Michoacán, who have come with Sonia's husband and daughter and are waiting their turn in the very long line for

merchandising

($45 for a t-shirt, $95 for a sweatshirt , more taxation). “He's

divine

,” the two laugh in unison.

And, yes, Luis Miguel, if not divine, is certainly in one of his best professional moments. In top form, his energy is indomitable, he doesn't stop moving, jumping, smiling, playing with his musicians. He modulates his voice, he moves the microphone as far away as he wants and he is heard powerfully, he plays with the tempos and lyrics, he adapts them to his rhythms, he doesn't take a break. Luis Miguel starts with three backup singers and a band of a dozen members, then grows with another dozen string instruments (and even with an orchestra conductor) and reaches his great moment in the last third, when none other than 14 mariachis and five dancers.

The

show

, very classic, canonical, works rigorously. With crooner workmanship

,

Luis Miguel is the contemporary Latin dandy. In less than 100 minutes he reviews a career of hits in about 25 songs (some more if you count that there are several

medleys

, where he tiptoes through some of his greats) with a simple but effective staging, with confetti, archive images , a stage with several floors and, everything decorated for him, a vase of white roses on a stool where a couple of towels and glasses of water rest. Classicism without fanfare. As a novelty and surprise, a drone flies over the stage throughout the concert, and he knows how to take advantage of the little toy and grabs it, smiles at it, shakes it and gets good shots on the many screens that Crypto boasts.

The Sun

does not take off his smile or his suit, always carrying the microphone in one hand and the flask in the other. Few wrinkles, fibrous figure, perfect teeth, impeccable quiff, he does not need to present himself or be presented. The first part of the concert brings the Los Angeles public to their feet, while in the second, non-stop, they seem calmer. That's also when the most surprising moment of the night arrives, with its two duets... with Michael Jackson and Frank Sinatra. The strangest is the first, with photographs of Jackson projected on the screen, and with his voiceover

singing

Smile

in

English and Luis Miguel doing it in Spanish. With Sinatra it is a classic

My Way

, although this time with the American in a recorded and color performance on the stage screen and the Mexican singing the English, which raises fewer eyebrows than the first. It's okay, in a couple of songs the mariachis arrive and with

La Bikina

the audience goes wild, and they won't stop chanting until the end, with

When the sun warms

.

Luis Miguel will blow out 54 candles on Friday, on stage at the T-Mobile in Las Vegas, where his next concert will arrive, the 103rd of his tour. He is not a newbie in the square: he already filled the city's Dolby Live three times (yes, with 6,000 spectators instead of this one's 20,000) last September. He has left Salt Lake City, Dallas, Atlanta, Miami, New Orleans... 30 in total in the US, to continue later with 14 in Spain and another 29 in Mexico, including six in the capital in October, where he already gave seven last year. After four years of silence since their previous tour, El Sol has an unstoppable desire to shine.

Source: elparis

All news articles on 2024-04-18

You may like

Trends 24h

Latest

© Communities 2019 - Privacy

The information on this site is from external sources that are not under our control.
The inclusion of any links does not necessarily imply a recommendation or endorse the views expressed within them.