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This is how "Making Headlines" helped me stop being afraid and learn to love Generation Y.

In the millennial universe of "making headlines," risk-taking is almost always worthwhile.

The overly perfect scenarios unraveled Meitar Schleider Potschnik's nerves and patience, but after a few episodes something in her just calmed down and surrendered to this sweet reality, even if she's still swelling from her husband

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• Making Headlines (The Bold Type)

• Generation Y.

Strider Schleider Putschnik

Friday, 02 April 2021, 00:00

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Trailer for the series "Making Headlines" (Preform)

I admit that until recently I did not really understand the natives of the 90s.

This sub-generation, which is not chronologically far enough away from me to feel maternal compassion on the one hand, but far enough away to make me feel expired - was stuck in some middle of me indigestible.

Do not vomit or swallow.

It's all a thing of the past now, though.

And all thanks to my three new girlfriends, Sutton, Kat and Tiny Jane.

If these names are unfamiliar to you, it's just because you have not yet watched the series "The Bold Type" - which in Hebrew is for some reason called "making titles".

A mistake that can and should be easily corrected (viewing, not the name).

These three young women (20 or so) live in New York, work together at Manhattan's Scarlett Magazine, and enjoy post-midwifery life, for everything they have to offer: from female empowerment, sexual fluidity, to carbs.

At first it will remind you of "Emily in Paris", but they are much less non-existent.

Trust me.

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An unnatural feeling at first.

"Making headlines" (Photo: yes)

In the millennial universe of "making headlines," risk-taking is almost always worthwhile.

Women are able to have relationships with other women without belittling and reckoning (and even without quarreling over boys), young journalists can write about environmental politics one day and facial treatment the other day, and later that week be invited to sit on a panel on "young voices in political coverage."

It is possible to have an affair with a board member who does not have the stenciled power relations of an older and strong man and a young and inexperienced woman.

And the most fictional surprise: in any case this photogenic spice is won by Anna Wintour-style editor-in-chief, but with a twist of a golden heart and a genuine desire to help young and talented women advance professionally.

Watching the first episodes (for the series Four Seasons, all available on yes and Netflix) felt unnatural to me at first.

Something in this world where everything was awful all the time, and especially the fact that the boss was so nice and containing, felt awfully weird.

I kept waiting for someone there to find out that she was being betrayed, fired, or had her credit for the Bat Fayeshles report stolen.

Each episode where the girls rolled the dice of life and once again got out six six broke my nerves and patience.

But somewhere into the middle of the first season something in me just calmed down and surrendered to this sweet millennial reality (I'm in the second season now, so I have quite a few more episodes before. And that's part of the fun. It does not end after 8 or 10 episodes and should not skimp on the binge) .

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You did not know what true friendship is.

"Making headlines" (Photo: yes)

Now that I think about it, it could be that my watershed was the episode where Kat rolls up her sleeves and pulls out the ion egg that got stuck in Jane's vagina, as part of her in-depth investigation into her "Don't Judge Me: But I Never Experienced" article.

Move aside Christina Young and Meredith Gray, with your you's my person - talk like sand and nothing to eat.

Until you took out a marble egg from someone's vagina, you did not know what true friendship was.

In the real life of all of us there are true friends, who kept our hair in the bathroom of a bar where we drank too much, who listened attentively to all the details in our stories about the quarrels with the parents and then with the couple, and always had good advice or at least some "you so Right "Strengthens.

They picked us up before the job interview that we were under pressure from him, and were happy with us when we got the job.

Some of us had the right to work under people who believed in them, pardoned them and pushed them when needed.

Sometimes we had relationships whose data all predicted failure, but they were much more than they looked from the outside.

These things exist in the lives of all of us.

But on screen we didn't really get them.

In the series we got tough and bad bosses, friendships that always have the risk of an existential crisis hovering over them, and novels that go beyond the generic stunt will always end badly.

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Trying to overthrow the patriarchy while wearing t-shirts and thigh boots.

"Making headlines" (Photo: yes)

From episode to episode they entered my heart - the redheaded Sutton, torn between her dream of being a fashion editor and the practical need for a stable livelihood, and also having an on-and-off affair with the handsome and older Richard more than a decade (and yes, it's totally her "manager" " him).

Kat, the social media director who dominates all the tweets and snapshots, who is both half black and suddenly discovers that she is a lesbian, after falling in love with a Muslim (Note to screenwriters: In the future it may be possible to divide the Diversity tags into several characters, ).

And Jane Sloan, a young, feminist and idealistic journalist with high ambitions and a low stature (not in a very unusual way, but enough for the great nickname "Tiny Jane" to stick with her).

Together they try to overthrow the patriarchy while wearing t-shirts and hip boots to work, fighting Slat Sheaming, Pat Sheaming and internet trolls from their command pit in the magazine's fashion closet, armed with a boomerang app and a bottle of Rosa.

They are not immune to mistakes, but when they are wrong they are always there for each other, and sometimes even Jacqueline Carlisle, the editor-in-chief, will come with a couture jacket, a kind word and meaningful narrowing of eyes.

And I'm in heaven, wow how much I'm in heaven.

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It's hard to stop loving.

"Making headlines" (Photo: yes)

Although I experienced a small crisis when I realized that the "old" Richard that everyone thinks is his and Sutton has no future is more or less my age (if I find out in the fourth season that he died "in good health" at 42 I will be very angry!), But like Jacqueline, I am endowed with wisdom and life experience that allows me to forgive them for mistakes of youthful return.

It was not easy for me to start, but once it happened, it's hard to stop loving the girls of the Bold Tape and their Generation Y friends.

They may not know how to hold a job for more than four months, but they almost always come in handy.

They are in favor of women, in favor of men, in favor of a positive body image, in favor of social and ethnic diversity - by and large, they are simply in favor.

As someone who belongs to a generation whose "counter" is what defined it, it fascinates and confuses me at the same time.

The only problem I have left with this series is that as great as it is, it's silly and there's something a little awkward about watching it.

This constraint makes me kind of secretly watch it, because I'm swelling from my husband.

Sorry in advance for the exclusion (very not inclusive and millennial on my part, I know), but this is not a series that is pleasant to watch with boys.

I most enjoy watching it from the iPad in bed, where I don’t have to fight the corners of my mouth that insist on rising to a smile every time something cute and silly (again) happens on screen.

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