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"Wedding at First Sight": The more charming Danny is, the stronger Shani's heart will be broken

Danny testifies that he and Shani approached the Arava this week, also on a physical level.

Shani also feels that something has changed, but the promo warns that all this is going to shatter in her face like a balloon pin.

In the meantime, Einat and Liron go on another night trip, because they have no such thing as a morning, while Karin stores all her anger inside.

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• A wedding at first sight

Ofir Sagersky

Thursday, 21 October 2021, 08:39 Updated: 08:55

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"Wedding at First Sight": Danny and Shani's Meal (Keshet 12)

A shaky message fell on "wedding" viewers this week: Teletubbies has a sexual instinct, according to Einat and Liron's Dirty Talk. "That I did not seduce me," he teases her, "I know you." Let someone stop them, because these cameras are open and these naughty people will still jump on each other with a kiss with lots of emotions. And when it comes to emotions, Einat is not the one hiding them. In the past, Liron claims, it would have deterred him, but today it no longer does.

Humans are a strange thing, and sometimes say out loud "no" about something, to whitewash the fact that they feel "yes" about it, and vice versa. As the "Forever" affair proved to us, Einat is pressing Liron's ass, but right now he is flying at her enough to put her fears aside. They will still float, but only after they have exhausted the ideas for the first 50 dates. In the meantime, he wags his foot according to his status in the relationship, and Yael accepts the statement as simple.

In the kingdom of Persia, too, meanwhile, relations are under way over who rests.

Danny testifies that they approached the Arava this week, also on a physical level.

Well, we have seen, and not soon will the memory of the bird kissing worms fade from our memory.

Shani also feels that something has changed, but the promo warns that all this is going to shatter in her face like a balloon pin.

But wait, this plot needs to be stretched over an entire episode.

Therefore, another love montage sponsored by Liron and Einat.

"My family is stunning and they will embrace everything I bring them," Mitzi reassures Pizzi, a statement that means, "Do not worry, they are dying to marry me and they have no standards."

There, in the White House (literally, a house that is white), her parents fulfill the promise.

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Montages of love.

Liron and Einat, "Wedding at First Sight" (Photo: screenshot, Keshet 12)

But the really interesting meal takes place at Shani and Danny. Currently Shani feels she is being appreciated by Danny, which heralds the coming of the crisis. The ground is prepared by Danny's sister, who, like us, is already dead to get to Joss, and squeezes a confession from Danny: it's not that he really wants Shani, but on the whole he has learned to be nice.

In the endeavor of the struggling men, Itamar also decides to give work to help Karin feel comfortable. It is a pity that the psychologist Yael does not have a similar attitude, and surprises them with an association game that is returned directly from the date of Mano and Nitzan, where a pogrom was also provoked. Seemingly, such a game also has the potential for acquaintance and learning, but not when he encounters the Iron Woman and the man whose only association in his head is "home."

And yet a new matter comes up for discussion.

Karin, she says, tries not to get angry.

Obviously she's angry, a lot, just keeps everything inside except passive-aggressive shimmers.

Itamar answers wisely that anger is a good and important emotion, but the argument is distorted at the end with the explanation "without anger there is no love", which teaches mainly about Itamar himself.

Suddenly everything works out: the cruel quarrels that Itamar produces stem from the fact that in his eyes, this is what love looks like.

He and Karin present two extremes on the same scale: she buries her feelings inside, he slaps them at others unconsciously.

To continue Itamar's argument in a more sane way - anger is an inevitable emotion, and sometimes also healthy and helpful.

The ideal is to be able to mediate it out without letting it grab the joystick in our brain and embark on a campaign of extermination.

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Buries the feelings, right now in Itamar's mouth.

Karin, "Wedding at First Sight" (Photo: Screenshot, Rainbow 12)

A not bad plot potential develops between them, and this is exactly the time to cut a lullaby with Einat and Liron. Is it just me, or do half of their married lives go on night trips? Is there also a morning in their world, or is it not magical enough? Both find it hard to believe what heights the sweetness can still reach, but are determined to crack this challenge every now and then. Their current date ends slowly in the living room.

And just as soon as we thought of retiring to sleep and leaving the episode as a screensaver, the promised drama begins to kick in. Before we could say "lesson in gratitude," Shani was offended by something. what? It's hard to know, because she's not ready to talk about it and certainly not in Hebrew. Only then is the root of the quarrel revealed: after a conversation with her friend in the speaker, Danny realized that he was intrigued to know why Danny and Yael decided to marry someone spiritually.

Of course what is insulting about this.

But like Karin, Shani also apparently does not believe in getting upset, while getting upset.

She says she wants a "man."

"Man," in Shani's language, is someone who wants her.

Like other papers in her speech, this too is a kind of defense.

Instead of risking exposing her vulnerability, and saying, "I don't feel wanted enough," she questions Danny's masculinity.

What Shani does not understand is that hiding her vulnerability puts her at a disadvantage.

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Can't believe it's annoying.

Shani, "Wedding at First Sight" (Photo: Screenshot, Keshet 12)

I find this approach common among women especially in their early twenties. In an attempt to protect myself from harm, I, too, in the past, pretended that no insult from a man penetrated me, and it was precisely in this that I allowed insults to continue to flow. In exactly the same way, Shani's poker face allowed Danny to continue to sting her.

It does not seem that he did it out of a desire to offend, but out of a spirit of nonsense (which Shani is so looking for) and a certain childishness, in which Shani herself sometimes finds something graceful. Know what? She died for Danny having a child, because that's how he allows her to be Mama Theresa. What really bothers the other in Danny, and causes her to break down in tears in Danny's room, is the inner knowing that he does not want her as she is him.

The balloon monologue will return in a double edition, but before that, how is it possible without another glimpse of the Hani-Moon limbo where Yaron and Einat still roam.

Tonight they also had a picnic and a guitar by the fire, unloading all their ammunition of romantic clichés.

Let's hope they're down in the editing, because God, it's more boring than a bad relationship.

If so, the two Danes tilt their heads in front of each other, but only one of them knows what Shani was offended about, information that still stands as a well-known detail.

The psychologist Danny has no choice but to leak, because something in those forty-five minutes has to move.

Thank God, the confrontation comes, and Shani and Danny are brought in full force to the psychologist's couch.

Danny tries to appease Shani with the "tolerant, considerate and inclusive" compliments given to the teacher at the end of the year, but Shani gets tired of containing her and she enters his mother-in-law.

Danny does not understand where this fell on him, a reaction that is his basic existential condition, but also justified in this case.

Suddenly Shani returns to him with a war, without even knowing he started one.

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Enigma.

Karin with Itamar, "Wedding at First Sight" (Photo: screenshot, Keshet 12)

While Shani is taking her first steps in communicating negative emotions, Karin is determined to continue to disguise them under the layers of makeup and the thirty tons of tomatoes that she and Itamar cooked throughout the season. This time, too, she suffers from every moment, but decides to continue cooking at the end of a tiring day of work, because she has fully internalized the role of a housewife from the 1960s in an American suburb. It's easy to come to Itamar in the review, but this episode demonstrates us well but Karin successfully eliminates herself even without him.

In light of their early dialogue, I am no longer even sure that Itamar ever expected her to cancel herself. Suddenly it seems to me that he said everything he said precisely because he hoped for resistance and war. That he was looking for the one who would say to him, "Hear? Shhhh, you got a little confused," and would erupt in rage that would serve as a fuel for passion, a screwed-up mechanism in itself.

"You seem to not share anything with me," he diagnoses.

And really when you think about it, Karin is the only character we still know nothing about her family and friends.

To this she answers one of the puzzling answers in the history of reality, "I do not want to share it in front of cameras."

Has it been updated regarding the concept of the program?

We met two arrested women in this episode, but Danny has only one, and that's the surprise of the season.

Call him childish, stellar, complicated - and everything will be right, but in moments of crisis he proves himself, overcomes the ego and reaches out for peace, this time with a kiss worthy of the name.

Who knew, then, that this tired donkey could be a gentleman?

Deserves two big credits, because if you believe him, this change happened thanks to her.

But every noble gesture from Danny inspires, along with the charm, also a little sadness.

Because the more charming he is, the more he looks like he's going to break the heart of the other.

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