"Wedding" took her out badly, but the unnecessary sequel through her on Manor's body

In "Manor Looking for Love" (Rainbow) there were no insights and there was no story, only us in the role of the garbage grinder of the TV remnants from the royal dinner that was wedding.

Was musty, was superfluous, was bland

Karin Arad

30/11/2021

Tuesday, 30 November 2021, 07:11 Updated: 07:17

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Manor is looking for love (Keshet 12)

The Keshet 12 broadcast schedule read "Manor is looking for love." At first I thought it was a series, something reminiscent of Anna Aronov's quest for love, and then I discovered that it's just one episode in itself. Well, I said to myself, surely they know what they're doing. Apparently it is well filmed, refined in a way that will make us as viewers understand Manor better, or at least she better understand herself.

The show was actually an episode about a slightly more sensible hair-colored manor, going out with four men - Manny, Adam, Kobe and Yossi with the enthusiasm of a round at Good-Pharm, which is to be expected when you accede to the pleas of a band that happens to be dating someone you know. But hey, how bad can this already be?

Then you will be amazed. It was bad. very bad. There is nothing more caring than a girl who so wants love and who has allowed herself to make the same mistake twice, because if the source took it out badly, the unnecessary sequel showed exactly why Manor does not find love.

I completely understood the reluctance of Aqua-Manny.

Too much enthusiasm, too many teeth, and too much astonishment at her unwillingness to move in with him in Petah Tikva.

"You do not like Petah Tikva?"

He asked in all seriousness, as if he knew many of those who did.

Manor grits his teeth for the Watsu treatment, then politely tells him it doesn't suit her.

This is understandable, and well done.

If I had created this thing I would have lingered longer on the reasons why she was not attracted to it.

"He wants too much," "He's Two Match," she said - and repeated the same terminology used by anyone who shyed away from it.

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To Match.

Manor (Photo: Screenshot, Rainbow 12)

Next. Adam is the next guy she went on a date with. Respect for his hipsterism claims that he did not see the show and did not know where he was going, which I say, with all the delicacy that can be mobilized - Zibi. This sucks manor, because she prefers to meet people who already want her in advance and who should not try and like them, which I say - of course, who does not.

They sit with beers on two chairs in a street that looks like the middle of the Carmel market, with dozens of people around them, to the delight of a man who is really not in the business of being alone with her. Of course, she does want him a little, and even sheds a tear in his memory, or rather in memory of all the times when she did not receive approval for her desire from any man. "Maybe in another incarnation," he told her before cutting. And meant an incarnation in which the Armageddon would wipe out civilization and only both would remain to repopulate the Earth. Apparently a person is unaware of the option of just plugging.

The only date on the show who had any chance of developing into something beyond was with Kobe, the criminal lawyer who does not believe in good and evil. First of all, he's right. Secondly, he is the only one who was really interested in Manor, and even tried to contact her before the show. He's the only one who really wanted to hear her and not just himself, and the only one who really wanted to meet her, cameras or non-cameras. Although his outward appearance did not attract her, she found herself thinking of him, and if she had not met Yossi immediately after him and given a chance to no one, she might as well have had love today.

Yossi was the perfect storm for her.

He brought the cocktail that makes her weak in the knees - a combination of Tel Aviv magnanimity, self-confidence based on casual intercourse, seasoned with a controlled exposure of insecurity and the addition of denial, which is necessary for a woman like Manor, who only turns on men who are not emotionally available.

"I was very hesitant," "I saw the recklessness you did," "I came with low expectations" are just some of the sentences she had to hear on this date which for some reason she defined as successful.

Just as Karin almost managed to say goodbye to Itamar in time, Manor also almost managed to do the sane thing and get mad at him, but then he pulled out the fat boy he once was, and neutralized her.

All that was missing now for Manor to really want it was muted communication, some duplicate messages and waiting for a phone not to arrive.

An animal in a dungeon.

Manor (Photo: Screenshot, Rainbow 12)

And so, as part of the feminine power we all know and love, Manor is the one who initiated the second date, which ironically ended in more sex than in all of Khatunami's seasons combined, his last words being "What are you doing on Saturday?" And then nothing was important anymore. This is how it is when someone is so insecure. The slightest gesture melts her. And then it's just over. Just like that, against the background of the kiss, the closing headlines came up, and at the same time I read in the gossip columns that the story of Manor and Yossi lasted a few weeks and ended with a weak response. surprising.

What the hell was that ???

I can not believe we accompanied her on bad dates without us getting any added value, and even without anyone being able to penetrate her insistence on not changing even though she has been getting the same feedback for years, or at least make her realize that if she wants to be who she is without compromise she will probably have to pay a price . Maybe it's time to tell Manor the truth instead of complimenting her on how real, free, and light-hearted she is all day long, because her misconception about who she is and how she is portrayed overthrows her over and over again.

She's not real - she's just scared and noisy. She is also not light-hearted - a light-hearted woman is not offended by any word and does not make such an effort to please, and she is certainly not a free soul - on the contrary - she lives in a suffocating mental dungeon where she has no right to exist without a relationship. That way, she just keeps getting tangled up with endless self-skepticism. The only authentic spark left in her is the uncontrollable need to defend herself whenever someone expects her to conform to some man. The resistance that emerges from her is genuine, and she's really right, it's just a shame she does not believe herself enough to go with it to the end. It's really ridiculous that she has to adjust herself to someone else for love, but it's also impossible to succumb to dictates and also continue to be who you are, at the same time.

Decide.

If you want a relationship at any cost, you will change.

Be gentle and gentle, and do not say everything you think and get divorced after two children.

If you want to be who you are without compromise, accept that you may be alone a little more than the average bachelor, and maybe much more.

Even if the show had ended like this, without Manor finding love, she would not have been satisfied with me, but no, that did not happen either.

Don’t know what I was expecting, but no matter how much I would lower expectations, the poor quality of content would have surprised me.

There were no insights, there was no story with a beginning, middle and end, there was nothing.

There were commercials that put in money, one last dance on the corpse, and us, in the role of the garbage grinder of the TV scraps from the royal dinner that was signed.

Was musty, was superfluous, was bland.

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• A wedding at first sight