Wedding at first sight: Liad and Limor, let us help you - both of you are aggressive

What is more repetitive and tiring, the disproportionate quarrels of the Lily duo, the attempts to ignite the battery between Edith and Raphael or Ben's anxiety that is too good or too bad or too good or normal? The patterns of the characters are more repetitive than ever.

Ofir Sagarsky

08/06/2022

Wednesday, 08 June 2022, 08:02 Updated: 08:30

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Wedding at first sight: Rafael deep in thought, Idit tries to break the silence (Keshet 12)

Please set the clock for '67 because the war of attrition is with us here.

What is more repetitive and tiring, the disproportionate quarrels of the Lily duo, the attempts to start the battery between Idit and Rafael or Ben's anxiety or whether it is too good or too bad or too good or normal? On the backstage of "Wedding".

On this occasion, I will turn to anyone who was interviewed for a research on "Wedding at First Sight" published over the weekend: Your testimonies touched my heart.

really.

I was not surprised to find that this is how reality works, but I was heartbroken to find that it was attended by people who did not know how it worked.

For my part, I can only promise to try to be aware of any editorial and production manipulations, and to remember that behind the TV characters there are human beings.

For your part, remember that everything in this column is written with humor - well, the majority is written with humor - and that only you and your mother and accountant know who you really are.

No journalist or editing room will dictate your self-esteem.

Okay?

Okay.

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Come on Raichel.

Edith and Raphael (Photo: screenshot, Keshet 12)

Edith and Raphael

No one prepared her to fit in as a T.S.

According to her, it also lit up faster in the past, but there is some connection between them, or at least not complete disgust.

By "wedding" standards, that's something too

This is the morning after the wedding, or rather 03:00, and Idit and Rafael (a duo tagged in my head as "Ronit Rafael" and I'm sorry if they are mentioned inadvertently later) are getting ready for the flight after not sleeping all night, maybe because of the pans hanging over their heads.

No one talks about it and it's a shame, because as we will discover in a moment, topics common to the conversation - they do not have.

Upon landing in Portugal, they both agree not to go to museums and are both avid listeners of the Raichel era, which is probably the only common denominator between them other than being "security-loving security guards."

I do not know about you, but when I mix these details in my salad, the original Israeli dish "crushing boredom" is obtained.

As a military bunker herself, Edith did not believe she would ever be the verbal person in the relationship, but has yet to meet an emotional safe like Raphael.

No one prepared her to fit in as a T.S.

According to her, it also lit up faster in the past, but there is some connection between them, or at least not complete disgust.

By "wedding" standards, that's something too.

There are people who will turn any place into Club Hotel Eilat, and so will Idit and Rafael, whose honeymoon includes rafting, dolphins and caves that can be smelled through the screen the Bamba Nougat wrappers that have been abandoned in their corners.

As mentioned, Edith is not particularly enthusiastic about him, and she nevertheless manages to be offended when Rafael sums up their joint activity in the cold response, "It was nice."

My dear friends, with great love I suggest: Please hang a neon sign over questions that have only one answer for you.

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Soon we will all be forgotten from the debriefing.

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Stings Raphael.

Edith (Photo: screenshot, from "Wedding at First Sight")

"You are a man of words, I understand," she stings Raphael, but the truth is that they are both not used to ending a whole coherent sentence.

"No… like… you're a little ah… off," she mutters.

"turned off?".

"Like… closed like that ..." "Today?".

"Today, yes."

Sorry, did I accidentally get to the Mole Theater in Ben Beliel Alley?

And if not, why am I watching a modern adaptation of Beckett's play?

To Raphael's question, you know from yesterday.

"Today" is half of your existence for her, please start connecting a topic to a topic so we can move forward.

At the next meal there is nothing left to save from the communication between them, and Edith does not even try to fake interest in defining Raphael himself as a "Bed Boy" under the layers.

Whether he speaks or is silent, he brings her nerves, but most of the time he is silent, and Idit takes on the task of presenting the silence whenever it exists.

"What, are you talking in general?", She amplifies two aggressive gears, "Just,

But Raphael's promise is about to come true and the bad boy breaks out of it - through a dance with a Portuguese.

Luckily, this is exactly the dangerous fragrance Idit was looking for.

"Suddenly such playfulness came out of him," she is impressed.

"I showed my light side," he agrees.

A little more pride parties and I want you to beware of these insane energies.

The next day, Raphael speaks in praise of the NFL method, which leads to Idit's obvious question, "Have you been through this too?", And then, in your heart, "So how are you still like that?".

They both applaud the new masculinity, which allows itself emotional expression, and return to the silence of the sheep.

"You were cute," he concludes the day, not without Edith's correction: "Lovely," just before drying it back, on the beach.

"Will we make such a heart?", She signals with her foot.

"less".

Oooo.

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Apologies for his existence.

To the destination (Photo: Screenshot, Rainbow 12)

Liad and Limor

Call me skeptical, but I do not believe them, neither her cries nor their pathos speeches.

Something there smells too much to me of an addiction to drama and an overexertion to produce it, and it is unlikely to experience such glacial collisions with so little familiarity and maximum availability of tropical cocktails

Limor has not yet woken up and Liad has already apologized for his existence, when he left her a flower in the toothbrush cup and next to it a note, "Do not stress, it is just a flower."

In his heart he continued but was afraid to write: "Are you okay?".

Limor has already expressed disgust at Liad's constant concern for her safety, and yet he continues, during a bike ride: "There is a small trail that looks nice to me. Is that okay? Surely you will not be angry?".

I'm angry.

How exhausting a person who needs a good behavior sticker at any given moment.

In this case we have to deal with two such, who sit next to each other stamp on the wound and dig in it with a hoe while scattering clichés about communication, positivity and giving.

Limor claims that she likes the target "Good Boy" (please add "Good Boy" and "Fabric Boy" to our wedding bingo), but any attempt to please him brings her nerves and at times just his presence in her life.

"I love nature, I already thought you knew that about me," she resents in light of his cheeky question about her taste in tourist destinations.

It's hard to say which is more troublesome - Liad's "examine yourself" questionnaires, or Limor's excessive reactions to them.

Among them, they discuss the question of whether Limor is as aggressive as Liad's words, or assertive in her own words.

I would love to rule on the subject: both are aggressive (he is passive, she is aggressive, we were the same), both are self-centered as the perfect opposite to the general love they are proud of and both do not know how to get a drop of criticism from the other side.

In light of Liad's last words, Limor's face shrinks, and Liad shouts as he is called to the principal's room, "Oh, what did I do? Tell me, what did I do ?!".

It seems that in his panic, the target causes Limor to be portrayed as more aggressive than she really is.

While it can be unpleasant, it is certainly not scary at a level that should make you tremble like a cockroach under direct K300 threat.

If you refer a moment back to the investigation on "Khatunmi", it will be said to her credit that so far this season has been doing kindness to all the characters.

For example, look at the Lily team: In this episode, each scene made sure to emphasize the other's intolerance. From

here she probably assumes they will run together towards sunset, get married, run away from the wedding again and form a controversial community in a secluded piece of nature, but alas - Liad decides to sleep separately. "Murder and inheritance?" Are you leaving me alone? ". This daily drama is not even close to ending, and Liad expresses concern that he has not yet met his partner while on the honeymoon, that is, a second and a half to get to know each other.

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A quarrel pursues a quarrel.

Liad and Limor (Photo: screenshot, Keshet 12)

Liad for his part is convinced that he is the most mature in the situation.

"Jumping off the boat is not for me, I have passed this age", he sighs and goes to vent frustrations in his diary, which can only be assumed to open with the words "top secret, mom do not touch"

The disadvantage and advantage of spiritual people is the ability to derive a lesson, or at least say out loud that they have produced a lesson, from everyday occurrences.

In another session on cheating they both agree that they learned a huge lesson yesterday, but do not explain exactly what it is, and may therefore need ten more repetition lessons during the day.

"It's a fucking crazy roller coaster I've never been to, and I've been to a park or two," concludes the destination, which is already big enough even for the Anaconda.

The next scene is also a quarrel, and the scene after it, and until everything works out - this too must be announced in Uber drama.

"It's good that he's doing things for himself, and not just for me," Limor watches as he jumps out of the boat to dive into shallow water.

It's just missing now that any of them would call it a "journey."

This celebration of empowerment does not last long, because immediately afterwards, he is offended by the name of the restaurant they are sitting in following Limor's casual incident about the quality of the food.

He says he is afraid to say things, and she says she is too, and they are both right - neither of them can say anything.

"If you notice, so far you're only talking about yourself, nothing to do with a relationship," he presses the target on the drama pedal to the level of Dana Bloom, Telenovela Ltd., final episode. Call me skeptical, but like Karin Arad who wrote about them, neither do I. Believe them, neither in her cries nor in the pathos of both

of

them.something there smells too much to me of drama addiction and overexertion to produce it, and is unlikely to experience such glacial clashes with so little familiarity and maximum availability of tropical cocktails.

And jump into the water together, not without a narration accompanied by a spring-style goal for Aviv Geffen in "Moon Years": "This is what I needed, someone to jump into the water with me." Do we really have the power to dig into it? I do not.

Lily gets on a sailboat, once again visits them briefly in the media - she interrupts him, he falls silent. "These are not people who are supposed to send alone to a lonely island, they need to order a helicopter.

The target for him is convinced that he is the adult in the situation." Jumping off the boat is not for me, I passed that age, "he sighed Secretly, mother do not touch. "To Limor's disappointment, he is too engrossed in a conversation with himself to notice that she is demonstratively moving away from the bungalow, a bag on her back.

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A visit to the in-laws.

Ben VeMa'ayan (Photo: Screenshot, Keshet 12)

Maayan and Ben

The conversation between them ends as usual with a loud Stella laugh, but we know them already enough to know that this laugh hides a mutual tension beneath it.

She has the known insecurity in the relationship, and Ben, by definition, feels that he does not know her well enough

These two have known each other for 23 days in human time and fifty years in wedding time, and here they come for another visit to their mother-in-law, this time from Maayan.

Everyone already feels close to Ben until sitting down with him on the toilet, but Ben is not there yet.

While Maayan gives him a guided tour of her room and the depths of her childhood, the bladder calls for him to be physically and emotionally evacuated.

The Dori family intervened to succeed in knocking Ben out of a heart attack before the age of 40, and they opened up with heavy artillery.

"We hope to see you many more times," "Welcome to the family," came a boy's voice.

Ben again gossips that he "does not believe it's going so well," and intends to say it is not going as well as it seems.

These two have not even had time to quarrel properly, and all the meetings with the families at such an early stage feel fake to him.

The pressure exerted on him from every direction - from the direction of Maayan and the two families - is so unnecessary and unfortunate that it seems pretty good to him with Maayan, not perfect, but quite good, and would have been even better if he had not been required to demonstrate this good all the time.

White anyway has a "fear of hurting," a fear replete with self-importance, reserved for people who are sure they will never overcome them.

In any case, it's the fear, and he probably did not calm down now that Ben realized he might still cause the trauma of abandoning a small child.

Out of this self-eating ras he drags Maayan with him to the pit, wondering what will be between them after the show and if they will live together.

"Are you not a party to the thing?", She recognizes the mine.

A kind of app learner, and already well acquainted with "what are you looking for" questions.

Few annoying questions like those that come with a disguised agenda.

Why raise the issue, at all,

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Hamitzer Riddle.

Ben (Photo: Screenshot, Rainbow 12)

After countless twists and turns, the message he encrypted in his sour riddle is revealed: he likes Maayan, but is not sure he wants to continue living with her immediately after the show.

The conversation between them ends as usual with a loud Stella laugh, but we know them already enough to know that this laugh hides a mutual tension beneath it.

She has the known insecurity in the relationship, and Ben, by definition, feels that he does not know her well enough.

He's right that she's not entirely real with him, but he's far from calling her either, and I'm not at all sure he's willing to know her "really."

After all, this whole concept of a relationship scares him more than the phrase "plus size", which makes him look for disadvantages even when they are not: either he experiences a kind of being too foreign, or too close.

If she is exposed - he feels she is too "all in", God will uproot the phrase from the participants' lexicon.

He too, like everyone else, wants certainty without being able to give it to the other side, and discovers under the "fear of hurting" that he too, like everyone else, is afraid of being hurt.

And in short, a confused son, confused at the deepest level of existential confusion, confused about his life, a familiar Danny syndrome from last season.

There are few moments when wedding figures give voice to the thunderous thoughts of the audience, but this episode happens, in the words of a kind: "I have no power over you, you have no middle."

"If you leave me when I'm in love with you, I'm done with the movie," warns Ben, probably the first person to ever break his heart.

Cynicism aside, I like that for the first time Ben released the "fear of hurting" pose, revealing a real, deep, empathetic fear, one that makes us all rattle under the blanket.

Finally he too was exposed a bit.

At the same time, following the spirit of etiquette going on in the episode, this is a wonderfully childish statement.

What are you actually saying, that your heart must not be broken?

Early relationships are emotional roller coasters of the kind the destination has yet to meet, and so they are.

There is no other way.

None of us are innocent of rejection, none of us are guaranteed an island of quiet and we all jump headfirst into this pee pool knowing it will burn in our eyes.

We may also cry a little, we may go into depression for a month or two or a year, but we will get out of it and continue to look for love, because that is the only way to find it.

Participants in "Wedding", I call on you to grow up.

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