For the vulgum pecus, almost inseparable, they will remain for eternity “
the Brontë sisters
”.
But who remembers Vanessa, Virginia Woolf's sister?
And what about Lavinia Dickinson, forgotten among the forgotten.
Several books and a few films recount the complicated relationship between these famous Anglo-Saxon novelists and their sisters.
Her first film, the Australian actress Frances O'Connor wanted to devote it exclusively, or almost, to Emily Brontë (1818-1848), the British author from
Wuthering Heights
and the youngest of her siblings.
This literary classic, which is also the novelist's only book, is often drowned in a whole: that of the romantic work of the so-called "
Brontë sisters
" made up largely of two other classics,
Jane Eyre
written by Charlotte and
The Tenant of Wildfell Hall
written by Anne.
Read alsoOur review of Emily: in the Brontë family, we ask for Emily
“
Not a biopic
”, the film titled
Emily
wants to “
shed light
” on the only destiny of the novelist, who died at the age of thirty after a solitary existence in the rectory of Haworth in Yorkshire, where her father was a pastor.
He is not content to evoke a destiny but also returns to the " complex
" relationship
that Emily Brontë had with her sisters, and more particularly with the eldest, Charlotte.
“
There was something of the order of a power struggle
”, underlines the director, whose scenario took liberties with reality but who claims to have “
consulted many bibliographical sources
”.
The filmmaker analyzes the origin of this difference in temperament: "
I think the real Charlotte was not jealous but probably annoyed because, unlike Emily who spent her days cloistered in her room writing, she had to work
".
Despite this, Charlotte tried to protect her sisters.
“
You have to remember that when they came out, (their books) were very controversial.
Wuthering Heights
got very poor reviews.
We wondered who could have written such a dark book.
Charlotte was present to provide after-sales service
, ”says the director.
Frances O'Connor's Emily in 2023, with Emma Mackey, Fionn Whitehead...
Virginia Woolf and Vanessa Bell, her painter sister
Accomplices but rivals, this is how Laura Ulonati summarizes the relationship between Virginia Woolf (1882-1941) and her older sister, the painter Vanessa Bell (1879-1961), in her book Double V,
published
in early January by Actes Sud. .
Here again, the book does not claim to be a biography but offers a romantic dive into the sources of the relationship between the two sisters.
If Vanessa "
was known before Virginia
", her life remained largely in the shadow of that of the writer of
A Room of One's Own
and
Orlando
.
And to go back, bibliography in support, the thread of a relationship nourished by rivalry.
Whether artistic (there can only be one genius in the family), loving or maternal.
Virginia had no children, Vanessa had three.
Rivalry fed by the obsession to obtain “
the gaze of the father
”, assures the author of
Double
V.
Still, the two sisters have never left each other.
"
There was a sincere admiration between them
."
Admiration that comes to life in the portrait of Virginia painted by her eldest in 1912. And finally;
"
Virginia will have been one of Vanessa's great supporters
," concludes Laura Ulonati.
Lavinia Dickinson and... Emily Dickinson
Lavinia Dickinson also played a decisive role in the fame of her sister, the immense American poet Emily Dickinson (1830-1886), as told by the Quebecer Dominique Fortier in Les ombres blanches, released in France in January by
Grasset
.
Following
Cities of Paper
(Renaudot prize for the essay in 2020), where she "
reinvented without betraying
it" the life of the "
recluse of Amherst
", this second work between the novel and the essay looks back on the work of Lavinia, who had promised to burn Emily's poems after the disappearance, in the posthumous publication of her sister's manuscripts.
“
We can imagine that their relationship was difficult
”, suggests Dominique Fortier, for whom “
Emily's very introverted personality made her particularly hard to live with
.
But the role of Lavinia “
was decisive.
Because without her, we would not have access to the work of Emily Dickinson today
”.