The world has changed and our favorite agent has noticed nothing.
Such an unconsciousness constitutes the most gratifying spectacle.
OSS 117 thinks in generalities, reasons using commonplaces.
The perfect average Frenchman of the 1960s, a model that is no longer made, but which would have the license to kill.
The credits of
OSS 117. Red Alert in Black Africa
parodies those of James Bond, a languid song destined to climb the charts, giant bottles of spirits, heroes in a tuxedo pointing his gun at the audience.
The title, already: the tone is set.
To read also:
Nicolas Bedos: "I loved putting OSS 117 in a fragile position"
In 1981, Hubert Bonisseur de la Bath was taken prisoner by the Soviets in Afghanistan.
Of course, he survives.
Normal, he's the best.
He's the one who says it.
His superior does not deceive him.
The spy, however, begins to get in the way of the service.
He continues to put his hand to the buttocks of secretaries, to believe himself irresistible in his sky blue suits, to scuttle all his missions.
It's time to provide it
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