An infanta in tourist

The situation is theatrical.

There are covers of

that mark history and this week's may be one of them.

The Infanta Cristina, sister of the King, was photographed at the Zurich airport as just another tourist, accompanied by normal luggage.

A nondescript image that could inspire a little pity towards Mrs. Urdangarin.

Only, in times of Instagram, where everything has a filter, that penalty is not much.

The unusual cover image reveals a new filter: that of sad victim and also the wish of

to recover the editorial rudder that, with the recent cover of Urdangarin in love, was snatched away by

.

We were already used to filters that take years away from you or turn you into a kitten or a little bird.

That make you change your appearance

.

And now the Infanta has created her own metaverse: “Poor Cristina”.

She traveling alone to visit her father in Abu Dhabi, when for years she ascended and descended with ease from the planes by the stairs destined for the authorities.

But, as her son Pablo said: "These are things that happen."

And it happens that the filter gets a little clogged being she heir to her paternal fortune, with four beautiful children plus a juicy contract with the agá

Jan. Anyway, in that cover photo she looks more like an infanta on a business trip.

More sincere, or less theatrical, are the images of Omar Sánchez, who has had the fleeting privilege of being part of another of our dynasties, the Pantojas, having been married for four months to his very niece, Anabel Pantoja.

Today I want to confess that I was never able to filter this story well, despite the efforts of its protagonists on Instagram and on television.

On the cover of

, Omar shows himself hurt, ashamed as an infanta.

Although he does recognize that he was not up to the task, but at the same time he takes the opportunity to show a splendid collection of technological sneakers, with colored suede or animal print, which can confirm that Cristina de Borbón needs to talk to Omar's stylist to select a better suitcase than the one exhibited in

That suitcase must be left behind!

And above all, that our successful Penélope Cruz and Javier Bardem do not use it on their well-deserved trip to Hollywood.

This double nomination for the Academy Awards for Best Actress and Best Actor is a personal merit, not a legacy and deserves a celebration.

They have been able to unite their lives, go through 30 years of extraordinary professional evolution together and reach that point where, sitting in a chair, they hear their names united at the Oscars.

It is the triumph of love and effort.

Now they are aristocrats, yes, of talent.

That day, but at a different time,

invited me to interview another aristocrat, Carmen Thyssen in front of

, the star painting in her collection that will be exhibited in the rooms of the Thyssen Museum for 15 years, under her name.

She came dressed in white, like the Tahitian women in the painting and Chanel, which she also wore the day she chained herself to the trees on the Paseo del Prado, thus avoiding her atrocious felling with the suggestive voice of "no to felling" .

Without filters, she confessed that she feels rewarded for what she has done, bringing her husband's collection to Spain: "I have been awarded the medal of Isabel la Católica."

She proposes that we seek joy rather than drown in sorrow: "I wake up thinking that I have no reason to be sad."

Now that's aristocratic, I thought.

Albert Rivera was related to other talented aristocrats, his partner, Malú, is the niece of Paco de Lucía.

It turns out that he is accused of not performing well enough in high performance law.

Hello!

she should rescue him.

But with a good suitcase.

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