Aleppo-SANA
With poems full of the spirit of Sufism, the Manifestations Festival concluded its activities, which were organized by the Bait al-Qasid Cultural Association in partnership with the Directorate of Culture in Aleppo and the Yamama Literary Forum.
And between revelation and concealment, longing and deprivation, finding and grief, monologues and gratitude, the participants recited their mystical poems that yearn for the liberation of the spirit and sublime meanings on the stage of the National Books House in Aleppo.
Muhammad al-Dareer recited a poem bearing the name of the festival, “Manifestations,” in which Sufi styles, concepts, and meanings dominated, calling for the emancipation of the soul and a return to interest in sublime things.
Muhammad Al-Luji presented a poem entitled (Love), in which he dealt with the feelings of the heart towards the beloved.
Muhammad Fadila recited an emotional poem entitled (My Elegy), in which he spoke about the state of the human spirit that yearns for repentance and seeks spiritual contact with the Creator.
Hassan Kouka also recited a lyrical poem of a Sufi character, titled (A longing that does not know leaving), which carries new ideas and meanings within it.
Muhammad Kazem Al-Sayadi's poem entitled (Wine from Ghaith) woven Sufi literature with the cloak of divine Sufi love.
Tasneem Sultan presented two poems, the first entitled “Vacuum and Your Door is a Seal” and the second “Eastern Fever”, explaining that the two poems are contradictory.
The poet Ibrahim Kassar recited two poems, the first a flirtatious poem entitled (What Abu Wolf Did Not Say) and the second a patriotic poem entitled (In the Sand).
The poet Farhood Al-Ahmad also recited a poem that talks about the crisis in all aspects, starting from the war and ending with the economic blockade, in a panoramic manner that simulates the pain that squeezes hearts and the hope that will inevitably come at the same time.
The festival concluded with a segment of religious chants presented by musician Ahmed Nashar, accompanied by a Mawlawi segment.
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