Extinction was surely a terribly audacious project, a more or less radical, confusing creation, but with a desperately simple meaning: the nightmare of a coming chaos, the obituary of a subtling world.
This three-part show proposed by the director Julien Gosselin, artist associated with the Volksbühne in Berlin, is certainly not lacking in ambition. Last Friday, it was 19 p.m. and a crowd was crowding in front of the doors of the Jean-Claude Carrière Theater, at the Domaine d'O in Montpellier.
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